Tag: Kodak
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Photography: Everyday wear and tear excluded – Kodak Ektar 100
Everyday wear and tear excluded Kodak Ektar 100 shot at EI 100Color negative film in 35mm format Everyday wear and tear excludedKodak Ektar 100 shot at EI 100.Color negative film in 35mm format.
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Photography: Tools of the trade – Kodak PROFOTO 100 (35mm)
2016-08-15 – Tools of the trade Kodak PROFOTO 100 shot at EI 100 Color negative film in 35mm format
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Photography: Cloud machine – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Cloud machine Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800 Color negative film in 35mm format
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EMULSIVE interview #100: I am Hudson Jacobs and this is why I shoot film
In his own words today’s photographer is a fourteen year old colour blind, far sighted and close sighted photographer…who uses film. With that out of the way, it’s not only time for the latest EMULSIVE interview but also time for
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Photography: Peppercorn alley – Kodak Hawkeye Traffic Surveillance Color Film 2486
2016-08-03 – Peppercorn alley Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800. Color negative film in 35mm format.
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EMULSIVE interview #99: I am Dean Bennici and this is why I shoot film
It’s difficult to understate Dean Bennici’s importance to the world of color infrared photography.
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Photography: Nice – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Nice Shot at Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 Color negative film in 35mm format
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Photography: Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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EMULSIVE interview #98: I am LA Lyles and this is why I shoot film
Today’s interviewee stumbled into film photography as a result of not wanting to be left out of all the fun that was going on around her. I’m incredibly glad that she did and I’m sure you will be too, after
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Photography: …long into the night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485
…long into the night Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800. Black and white negative film in 35mm format. Push processed one-stop.
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Photography: Scattered – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Scattered Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Into the distance – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Into the distance Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Pipes – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Pipes Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Darkness and light – Kodak EKTACHROME E200 (120)
Darkness and light Shot on Kodak EKTACHROME E200 at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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EMULSIVE interview #96: I am David Rothschild and this is why I shoot film
Today’s interviewee is a real treat, I’m honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses. Over to you, David. Hi
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EMULSIVE interview #95: I am Robert Marsters and this is why I shoot film
When the opportunity came up to grab some time with today’s interviewee, I couldn’t help but fall over myself to grab it with both hands. You see, Robert Marsters is a bit of a conundrum.
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Photography: Underside – Kodak EKTACHROME E200 (120)
Underside Shot on Kodak EKTACHROME E200 at EI100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Theater of the Everyday: Photographs
Manhattan often seems like a stage where performers and exhibitionists of all varieties put on a non-stop show. I started documenting these “performers” in 2008, as the U.S.
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Photography: Incensed – Kodak Ektar 100 (35mm)
Incensed Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format