Tag: Kodak
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Photography: Smoking skills – Kodak T-MAX 100 (35mm)
2016-05-27 – Smoking skills Kodak T-MAX 100 shot at EI 100 Black and white film in 35mm format
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EMULSIVE interview #82: I am Damien Mountain Woods and this is why I shoot film
We managed to grab some time with Damien Mountain Woods, Australian and recent film convert.
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EMULSIVE interview #81: I am Drew Amyot and this is why I shoot film
Today’s interviewee is Drew Amyot, Nova Scotian born and raised.
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Photography: Cold rolled steel – Kodak T-MAX 100 TMX (120)
Cold rolled steel Shot on Kodak T-MAX 100 at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Elbow grease – Kodak T-MAX 100 (120)
2016-05-19 – Elbow grease Kodak T-MAX 100 shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 3 stops
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EMULSIVE interview #79: I am Joe Smith and this is why I shoot film
Here’s something a little different.
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Photography: Waiting for first catch – Kodak T-MAX 400 TMY 6053 (120)
Waiting for first catch – 2016-05-17 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: All wrapped up – Kodak T-MAX 400 TMY 6053 (120)
All wrapped up – 2016-05-16 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Visualisation for film photographers
We’re incredibly proud to bring you the first in what will hopefully be a new series of articles focused on providing a more educational look at certain aspects of film photography.
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EMULSIVE interview #77: I am Lucy Wainwright and this is why I shoot film
Today we’re sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright. Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.
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Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: 茶 / Chá / Tea – Kodak Portra 400 (120)
茶 / Chá / Tea – 2015-05-04 Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 This image is featured on the 52 Rolls update for week 10-13 2016!
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EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough. So, it seems like the perfect time to bring you the work of another young
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Photography: Meshed up – Kodak Portra 400VC (120)
Meshed up – 2015-05-02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Blue steel – Kodak Portra 100T (120)
Blue steel Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6