Tag: Kodak
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Photography: Time to burn – Kodak Portra 160NC (135)
2016-10-03 – Time to burn Kodak Portra 160NC shot at ISO100 Color negative film in 35mm format Unperforated stock, bulk loaded and shot in a 120 TLR
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EMULSIVE x Kodak Alaris Community Interview: Submit your questions
UPDATE: The EMULSIVE x Kodak Alaris Community Interview is now live at: https://emulsive.org/articles/community-interviews/emulsive-x-kodak-alaris-community-interview-results-time. Head on over to see the results. It’s time to introduce the third in our series of EMULSIVE Community Interviews and if the two previous interviews
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Photography: Six layers – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Six layers Kodak Ektar 100 shot at EI 100 Color negative film in 35mm format
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EMULSIVE interview #107: I am Scott Barman and this is why I shoot film – NSFW
Before you scroll on, please be aware that today’s interview is decidedly Not Safe For Work. Just in case you need some space, the interview starts below. Scroll down when you’re ready. I’m sitting down with Scott D
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Photography: Symmetry – Kodak Portra 160NC (35mm)
2016-09-29 – Symmetry Kodak Portra 160NC shot at EI 100 Color negative film in 35mm format
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Cheat sheet: Kodak Tri-X 400 development times – EI 200 to EI 25600
My ILFORD FP4 PLUS development times article seemed to cause quite a buzz.
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Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
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Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)
Zion NPS #01 Shot on Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photo story – Beauty from disaster
I’ll keep this short. I’d like to present a ten-step process that may help you to obtain beauty from disaster (as I did below).
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Photography: What is it? – Eastman Double-X 5222 (35mm)
What is it? Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+2/3 stops
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EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
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Photostory: Never Forget 2006 – Craig Pindell
With his kind permission, I’m posting another one of Craig Pindell’s Never Forget images and some of his words here today. About the project, from the man himself: “Like almost everyone I know, I can remember exactly where I was
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EMULSIVE interview #103: I am Raffael Stiborek and this is why I shoot film
I grabbed some time with Raffael Stiborek 28 year old photographer from Austria. You may have already seen some of his portrait work flying around the internet but if not, you’re in for a real treat. More from the man
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Featured project: Dee Elegia’s Nightcall
I’ve lived in Manchester now for roughly two and half years, having relocated from Scotland to work on my photography full-time.
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EMULSIVE interview #102: I am Sam Smith and this is why I shoot film
Welcome to EMULSIVE interview 102!
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Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should’ve posted to Instagram Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
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Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format