Tag: Kodak
-
EMULSIVE interview #113: I am Rory Earnshaw and this is why I shoot film
It’s a little difficult to introduce today’s interviewee without resorting to superlatives. I’ve tried and failed. What I will say is that his images evoke feelings of peace and serenity.
-
Secret Santa 2016: Sponsor announcement
Hello again! If you’re reading this on November 9th 2016 then there are exactly three weeks left for you to register for EMULSIVE Secret Santa 2016.
-
EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
-
EMULSIVE x Kodak Alaris Community Interview: Update
UPDATE: The EMULSIVE x Kodak Alaris Community Interview is now live at: https://emulsive.org/articles/community-interviews/emulsive-x-kodak-alaris-community-interview-results-time. If you’re reading this, then you’ll aware that we recently asked you to submit your questions for the third EMULSIVE Community Interview, this time with
-
EMULSIVE interview #111: I am James Tarry and this is why I shoot film
If you’ve not come across today’s interviewee before, you’re in for a treat.
-
Photography: Urban constellations #01 – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Urban constellations #01 Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide
-
Photography: Red cabbage light study #02 – Kodak Ektar 100 (120)
Red cabbage light study #02 Kodak Ektar 100 shot at EI100 Color negative film in 120 format shot as 6×6 Developed as black and white Red cabbage light study #02 Kodak Ektar 100 shot at EI100. Color negative
-
Minimalism in photography
“Simplicity is the ultimate sophistication”, Leonardo Da Vinci Minimalism of any form requires a degree of discipline… The discipline required is to recognize what is essential and is superfluous. So it is with minimalist photography.
-
Photography: Oculus – Kodak T400CN (120)
Oculus Kodak T400CN shot at EI 320 Color black and white film in 120 format shot as 6×4.5
-
EMULSIVE interview #110: I am Kristen Smith and this is why I shoot film
It must have been near on a year ago when I first nudged today’s interviewee for her time over on Twitter.
-
Reciprocity failure in landscape long exposures
Iceland. Winter. You’re standing at the base of a waterfall, semi-numb fingers fumbling a new roll of 35mm into the back of your ice-cold SLR.
-
Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)
Palm grove Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: 100,000 paper cranes – Kodak Vericolor III VPS 6006 (120)
100,000 paper cranes Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×6
-
Photography: Splayed – Kodak Portra 400VC (120)
Splayed Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
-
EMULSIVE interview #109: I am Unsavoryandgrouse and this is why I shoot film
Today we’ve got a little treat for you in the form of Nik, aka unsavouryandgrouse. Nik’s a relatively new film shooter and based in Australia.
-
Photography: Barred skies – Kodak Portra 400 (120)
Barred skies Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
-
Photography: Flaky – Kodak Portra 400VC (120)
Flaky Shot on Kodak Portra 400VC at EI 320. Color negative film in 120 format shot as 6×6.
-
FP4 Party September 2016 winner announcement
Welcome to the beginning of dev week for #FP4Party #02!
-
Photography: Last light – Shot on Kodak Ektar 100 at EI 800 (120)
2016-10-05 – Last light Kodak Ektar 100 shot at EI 800 Color negative film in 120 format shot as 6×6 No push processing / under exposed 2 stops