Tag: Kodak Tri-X 400
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How to get started with pushing (and pulling) film
We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It’s a great read for those of you who are thinking about dipping
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EMULSIVE 52 Rolls 2016 – Week 06-09 update
Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I incorrectly tweeted). The over/under exposure and push/pull/XPRO theme covered in my first update of 2016 continues unabated
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Photography: Have it your way – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Have it your way Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the
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Photography: Feeling drained – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Feeling drained Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
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EMULSIVE interview #58: I am David Lingham and this is why I shoot film
We grabbed some time to have a chat with David Lingham, Wales-based darkroom purist and ex-litho industry stripper (not THAT kind). David’s got some beautiful images to share, as well as some insight into his photographic journey and why
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EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all! It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
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EMULSIVE interview #57: I am Shawn Mozmode and this is why I shoot film
We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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EMULSIVE interview #52: I am Joan Ollé and this is why I shoot film
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR. Yes, you read that right, a DLSR got him into film.
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EMULSIVE interview #45: I am Hans ter Horst and this is why I shoot film
“No more chimping” – Hans ter Horst isn’t the first person to have said that and her certainly won’t be the last.
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EMULSIVE interview #42: I am Kilian Idsinga and this is why I shoot film
Well this is a spot of luck. We’re sitting down today with Kilian Idsinga, a relative newcomer to the world of film photography and someone that you may well have heard a little about over these past few months.
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Photography: Passage – Shot on Kodak Tri-X 400 at EI 6400 (35mm)
Passage Shot on Kodak Tri-X 400 at EI 6400 Black and white negative film in 35mm format Push processed four stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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EMULSIVE interview #37: I am Daniel J Schneider and this is why I shoot film
Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
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Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
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Photography: Fan out – Shot on Kodak Tri-X 400 at EI 100 (120)
Fan out Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Ha – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Ha Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
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EMULSIVE interview #26: I am Mike Fraser and this is why I shoot film
Today we’re sitting down with Mike Fraser, Toronto-based photographer, cancer researcher and all round globe-trotting nice guy. Mike works in film of all formats, as well as the occasional foray into digital.
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Photography: Secured – Shot on Kodak Tri-X 400 at EI 800 (120)
Secured Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Photography: Propped – Shot on Kodak Tri-X 400 at EI 800 (120)
Propped Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing