Tag: Kodak Tri-X 400
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Minimalism in photography
“Simplicity is the ultimate sophistication”, Leonardo Da Vinci Minimalism of any form requires a degree of discipline… The discipline required is to recognize what is essential and is superfluous. So it is with minimalist photography.
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EMULSIVE interview #110: I am Kristen Smith and this is why I shoot film
It must have been near on a year ago when I first nudged today’s interviewee for her time over on Twitter.
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EMULSIVE interview #109: I am Unsavoryandgrouse and this is why I shoot film
Today we’ve got a little treat for you in the form of Nik, aka unsavouryandgrouse. Nik’s a relatively new film shooter and based in Australia.
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Cheat sheet: Kodak Tri-X 400 development times – EI 200 to EI 25600
My ILFORD FP4 PLUS development times article seemed to cause quite a buzz.
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EMULSIVE interview #103: I am Raffael Stiborek and this is why I shoot film
I grabbed some time with Raffael Stiborek 28 year old photographer from Austria. You may have already seen some of his portrait work flying around the internet but if not, you’re in for a real treat. More from the man
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Photography: Resurfaced – Shot on Kodak Tri-X 400 at EI 3200 (35mm)
Resurfaced Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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EMULSIVE interview #91: I am John B Crane and this is why I shoot film
Certain readers may recognise today’s interviewee as the man behind www.nikonf6.net. I prefer to call him John.
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EMULSIVE interview #89: I am Greg McKnight and this is why I shoot film
Today’s interviewee sold all of his digital camera gear in 2015.
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Photography: Safe to cross – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Safe to cross Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
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EMULSIVE interview #87: I am Christopher Schmidtke and this is why I shoot film
I’ve got more fresh blood for you today in the form of Christopher Schmidtke from Wuerzburg, Germany. I won’t spoil it and let you all jump in;
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EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film
Today we’re sitting down with film photographer Jamelle Bouie.
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EMULSIVE interview #83: I am Joffrey Carpentier and this is why I shoot film
I’ve been looking forward to this one!
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Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough. So, it seems like the perfect time to bring you the work of another young
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EMULSIVE interview #73: I am Ron Hammond and this is why I shoot film
Today’s interviewee is prolific to say the least. Ron Hammond has been actively photographing for over 50 years and exhibiting his work in solo shows for over 25 of them.
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EMULSIVE interview #71: I am Seth Harwood and this is why I shoot film
We grabbed some time to bring you the thoughts and images of Seth Harwood, South Dakotan and night shooter extraordinaire. There’s plenty of stunning work for you to absorb below, so without further ado, it’s over to Seth.  
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EMULSIVE interview #70: I am Tim Heubeck and this is why I shoot film
We’re really pleased to have been able to grab some time with the talented Tim Heubeck, a 19 year old photographer seemingly obsessed with black and white film and travel – a nice combination and great for producing the beautiful
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Photography: Containment breach – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Containment breach Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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EMULSIVE interview #68: I am Ryan Neilan and this is why I shoot film
We’ve got a bit of a treat for you today; the photography and thoughts of Ryan Neilan.
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Photography: Cheap Trik – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Cheap Trik Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!