Tag: Kodak Tri-X 400
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I am Claudio Gomboli and this is why I shoot film
Rolling in for the second interview after my short break is Claudio Gomboli, Turinian currently ensconced in London, England.
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EMULSIVE interview #143: I am Jacopo Brancati and this is why I shoot film
My short interview hiatus is over and I’m very happy to bring you the words and pictures of a wonderful man and past contributor to EMULSIVE, Jacopo Brancati!
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Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)
I don’t Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Overdeveloped two stops (N+2) Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Diario di viaggio: Viaggio d’inverno in Finlandia
English version: https://emulsive.org/articles/travelogue/winter-voyage-to-finland-aka-extreme-cold-weather-photography-jacopo-brancati Sono un etnologo e un fotografo specializzato in questioni marittime. Da molto tempo mi focalizzo sulla comunità dei marittimi in Europa.
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EMULSIVE interview #142: I am Don Lupo and this is why I shoot film
Today’s interviewee doesn’t always share much of his own work on Twitter but take a peek on Instagram or his website and it’s a totally different story. I’m so happy to be able to bring you the words and pictures
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Photography: Not a care in the world – Arista Premium 400 (35mm)
Not a care in the world Shot on Arista Premium 400 at EI 400 Black and white negative film in 35mm format Whaddya know. Arista Premium 400 is Kodak Tri-X 400.
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EMULSIVE interview #140: I am Roger Harrison and this is why I shoot film
This has been a tough interview to put together. Tough because, as you’ll see below, it’s been an absolute nightmare picking which one of Roger Harrison’s beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
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Photography: Racked – Kodak Tri-X 400 (120)
Racked Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Travelogue: Winter Voyage to Finland aka extreme cold weather photography
I am an ethnologist and a photographer specialised in maritime matters based in France;
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EMULSIVE interview #133: I am Lisa DeShantz-Cook and this is why I shoot film
After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview. Well, I say business as usual but Lisa DeShantz-Cook’s photography is nothing of the sort.
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EMULSIVE x Kodak Alaris Community Interview: results time
Back in October 2016, we invited you all to submit your questions to Kodak Alaris for the third #EMULSIVE community interview. Well, we’re finally ready to share the results! Thank you’s and introductions First of all, a massive
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EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film
I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
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EMULSIVE interview #123: I am Laidric Stevenson and this is why I shoot film
The eagle-eyed amongst you will recognise today’s interviewee from his excellent and much-discussed review of the Bronica GS-1 system; as well as the beautiful images which accompany it.
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EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
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EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film
Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.
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Photography: The sorting bucket – Kodak Tri-X 400 (35mm)
The sorting bucket Kodak Tri-X 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: Hey, you’re in my sho…never mind – Kodak Tri-X 400 (35mm)
Hey, you’re in my sho…never mind Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Urban constellations #01 – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Urban constellations #01 Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide
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