Prettyboy
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 35mm format
Push processed one stop
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
Prettyboy
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 35mm format
Push processed one stop
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
Mesh-ing around
Shot on Kodak Tri-X 400 at EI 12800
Black and white negative film in 120 format shot as 6×4.5
Push processed five stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push
Welcome back for another interview!
We’re back for another look into the mind of a film photographer.
SPRUNG!
Shot on Kodak Tri-X 400 at EI 400
Black and white negative film in 120 format shot as 6×6
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.