Tag: Kodak T-MAX 400

Camera review: Me and my Ricoh GR1s Date

Nov 21, 2016

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by

James Gifford-Mead

in All Reviews, Film camera reviews, Ricoh film camera reviews

I work as full-time photographer during the week taking pictures for corporate companies and shooting events, so unfortunately, photography was becoming more and more like work.
An expired love affair aka why I shoot expired film

Nov 11, 2016

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by

Sina Farhat

in Film Love

I’d like to tell you a story.
EMULSIVE interview #102: I am Sam Smith and this is why I shoot film

Aug 24, 2016

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by

EM

in Film Photographer Interviews, Interviews

Welcome to EMULSIVE interview 102!
EMULSIVE interview #95: I am Robert Marsters and this is why I shoot film

Jul 12, 2016

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by

EM

in Film Photographer Interviews, Interviews

When the opportunity came up to grab some time with today’s interviewee, I couldn’t help but fall over myself to grab it with both hands. You see, Robert Marsters is a bit of a conundrum.
EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film

Jul 5, 2016

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by

EM

in Film Photographer Interviews, Interviews

If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.
Photography: Waiting for first catch – Kodak T-MAX 400 TMY 6053 (120)

May 17, 2016

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by

EM

in Medium format, Photography

Waiting for first catch – 2016-05-17 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
Photography: All wrapped up – Kodak T-MAX 400 TMY 6053 (120)

May 16, 2016

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by

EM

in Medium format, Photography

All wrapped up – 2016-05-16 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
EMULSIVE interview #68: I am Ryan Neilan and this is why I shoot film

Apr 7, 2016

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by

EM

in Film Photographer Interviews, Interviews

We’ve got a bit of a treat for you today; the photography and thoughts of Ryan Neilan.
How to get started with pushing (and pulling) film

Mar 10, 2016

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by

EM

in Articles, Darkroom, Experiments, Guides & How-Tos

We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It’s a great read for those of you who are thinking about dipping
Competition results – #PrintItForward

Mar 7, 2016

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by

EM

in Articles

Thanks to everyone who lent their support to the PrintItForward competition we kicked off a back at the end of January.
Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600

Feb 4, 2016

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by

EM

in All Reviews, Darkroom, Experiments, Film development times, Film stock reviews, ILFORD Film Stock Reviews, Kodak Film Stock Reviews

The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800

Jan 20, 2016

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by

EM

in All Reviews, Experiments, Film stock reviews, ILFORD Film Stock Reviews, Kodak Film Stock Reviews

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
EMULSIVE interview #51: I am Sorin Nita and this is why I shoot film

Jan 7, 2016

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by

EM

in Film Photographer Interviews, Interviews

Today I’m sitting down with Sorin Nita, AKA Twitter’s @FilmHasGrain.
EMULSIVE interview #37: I am Daniel J Schneider and this is why I shoot film

Nov 19, 2015

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by

EM

in Film Photographer Interviews, Interviews

Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
EMULSIVE interview #36: I am Erik Gould and this is why I shoot film

Nov 17, 2015

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by

EM

in Film Photographer Interviews, Interviews

Thoughtful, measured and contemplative are just three words you can use to describe the approach of today’s interviewee, Erik Gould.
EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film

Oct 20, 2015

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by

EM

in Film Photographer Interviews, Interviews

We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
EMULSIVE interview #13: I am Chuck Baker and this is why I shoot film

Aug 27, 2015

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by

EM

in Film Photographer Interviews, Interviews

Today I’m speaking with Chuck Baker, whom some of you will know as the mad genius brains behind the The Brownie Camera page.
Photography: Urdhva mukha śvānāsana / upward facing dog – Shot on Kodak T-MAX 400 at EI 400 (120 format)

Aug 18, 2015

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by

EM

in Medium format, Photography

Urdhva mukha śvānāsana / Upward facing dog Kodak T-MAX400 shot at EI 400 Black and white negative film in 120 format shot as 6×4.5
EMULSIVE interview #6: I am Antonio Biagiotti and this is why I shoot film

Aug 4, 2015

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by

EM

in Film Photographer Interviews, Interviews

Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii.
EMULSIVE interview #3: I am Roger Ballen and this is why I shoot film

Jul 15, 2015

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by

EM

in Film Photographer Interviews, Interviews

Week 3 has flown in, which means another interview and another unwilling victim ecstatic guest to grill. I’m very, very pleased to have been able to grab some time with the venerable Roger Ballen;

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