Tag: Kodak T-MAX 400
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Photo story: Rediscovering my 35mm soul through one photograph
I asked my self this question very recently: can one photo make a difference? You betcha!
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Developing expired large format black and white film
If you are old enough, you will remember a time when expired film was like kryptonite to a photographer.
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5 Frames… With Kodak T-MAX 400 (EI 400 / 120 format / Mamiya 7)
Last July I spent an afternoon at a special Photographer’s Open House at the Walker Ranch Homestead, a part of the Boulder County Parks and Open Spaces.
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5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon EOS 30V Date)
With the exception of an Olympus Trip, I sold all of my 35mm camera equipment at the beginning of 2017. This was a decision I have regretted since.
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EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months.
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EMULSIVE interview #163: I am Antonio Lastoria and this is why I shoot film
Regular readers should be familiar with the recent #5FramesWith article by today’s interviewee.
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Interview #158: I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
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EMULSIVE interview #149: I am Rebecca Joyce and this is why I shoot film
Today’s interviewee is a real treat.
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Photography: Capped – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Capped Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Diario di viaggio: Viaggio d’inverno in Finlandia
English version: https://emulsive.org/articles/travelogue/winter-voyage-to-finland-aka-extreme-cold-weather-photography-jacopo-brancati Sono un etnologo e un fotografo specializzato in questioni marittime. Da molto tempo mi focalizzo sulla comunità dei marittimi in Europa.
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Photography: Crisp – Shot on Kodak T-MAX 400 – TMY-2 (120)
Crisp Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Crease – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Crease Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
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Travelogue: Winter Voyage to Finland aka extreme cold weather photography
I am an ethnologist and a photographer specialised in maritime matters based in France;
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Photography: Eye eye – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Eye eye Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad E16 extension tube (0.7 stop compensation)
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EMULSIVE interview #133: I am Lisa DeShantz-Cook and this is why I shoot film
After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview. Well, I say business as usual but Lisa DeShantz-Cook’s photography is nothing of the sort.
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EMULSIVE x Kodak Alaris Community Interview: results time
Back in October 2016, we invited you all to submit your questions to Kodak Alaris for the third #EMULSIVE community interview. Well, we’re finally ready to share the results! Thank you’s and introductions First of all, a massive
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Welcome to #TMAXParty 2017 – Celebrating Kodak TMAX 100, 400 and 3200 in any format of your choice
Walking in the very large footprints of FP4Party is the first film party brought to you by EMULSIVE in 2017 – welcome to #TMAXParty! Shoot a roll or sheet of any version of Kodak T-MAX, new or old in any
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EMULSIVE interview #127: I am Hilde Heyvaert and this is why I shoot film
Creative, experimental, quirky and always evolving.
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EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film
Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.