The semester was finally over and I had started to commit more of my time to my hobby of film photography. I’d recently got myself …
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms of experiences, memories …
Read moreEmbracing accidents: An unexpected double exposure collaboration
One of the things I tried while in India was to set myself a simple challenge: to shoot a “perfect” roll of 36 exposures.
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …
Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …
I have been using this film for at least 2 decades. For me, Kodak Pro Image 100 was always a very good option for almost …
Read more5 Frames… With Kodak Pro Image 100 (EI 800 / 35mm format / Nikon F100) – by Sebastian Mas
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
2002 was a funny time for film cameras.
I’ll begin this review with a quick disclaimer – I’ve been shooting film for less than a year at this point.
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Slats slats slats
Kodak Pro Image 100 shot at ISO100
Color negative film in 35mm format
Grand theft pamplet
Kodak Pro Image 100 shot at EI 100
Color negative film in 35mm format
Going going gone
Kodak Pro Image 100 shot at EI 100
Color negative film in 35mm format
High hopes
Shot on Kodak Pro Image 100 Professional at EI 100
Color negative film in 35mm format
Bundle of laughs
Shot on Kodak ProImage 100 at EI 100
Color negative film in 35mm format
Pantone swatch
Kodak ProImage 100 shot at EI 100
Color negative film in 35mm format
