Mexico, or perhaps more specifically, Mexico City – the Pure land. Pure not in the sense of not being mixed with any other matter or free from dirt, but pure in the sense of honest, real, unobscured, and unobstructed, something quite scarce in this modern day and age. Maybe unknowingly and unconsciously I was drawn […]
Tag: Kodak Portra 160
Posted in5 Frames...
5 Frames… Of cold-weather testing airships by the arctic circle on Kodak Portra 160 (35mm Format / EI 160 / Contax G1 + Planar 45mm f/2) – by Igor Immfun
At the time I shot these frames, I had owned the Contax G1 for a little less than two months. It was my first film camera and I fell in love with her immediately. You just want to hold it in your hands and enjoy the genius of the people who created it. I won’t […]
Posted in5 Frames...
5 Frames… Of Dresden Neustadt on Kodak Portra 160 (35mm format / EI 160 / Minolta SRT MC-II + Minolta MC 35mm f2.8) – by Konrad Kiesel
Lately, I found myself in the urge of shooting my trusty old Minolta SRT MC-II. While firing away some shots, to see if the shutter sounds reasonable at different speeds, I came to realise that I must have loaded some film into it at some point. Also I could not remember what film I loaded […]
Posted inArticles
Confessions of a film developer
Okay, so when things go wrong the best thing to do is chalk it up to experience and make sure you don’t do it again. In the real world this is sometimes easier said than done, fortunately, when developing film at home it’s a bit more straightforward, as long as you know what you did […]
Posted in5 Frames...
5 Frames… Of the Scheveningen Strand beach on Kodak Portra 160 (Canon A-1 + Canon FDn 50mm f/1.8)
There are few things more enjoyable than a day at the beach with good company and a shining sun. I hope for these 5 images to convey that feeling of warmth both literally and figuratively. During one of the trailing weeks of August, me and my group of friends decided to journey down from Delft […]
Posted inOpinion
Film makes me lazy. And smart. And harder working.
Why do we photograph with film? On the one level, it is a silly question. Why do some people like cookies and cream, and others like choc fudge? Because it exists, it is an option, and we just do. For those of us where film photography is an equal option to digital photography, there is no need to necessarily […]
Posted in35mm format
Photography: Above as below – Shot on Kodak Portra 160 at EI 160 (35mm Format)
Shot on Kodak Portra 160 at EI 160Color negative film in 35mm formatLeica M6 TTL 0.85 + 7artisans 35mm f/2
Posted inFeatured, Film Photographer Interviews, Interviews
EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be […]
Posted inArticles, Film camera reviews, Reviews, Rollei film camera reviews
An accidental Rolleiflex TLR: A new experience with the Rolleiflex Automat 6×6 Model RF 111A
I had used film from the late 1950s right up to the digital revolution when I was seduced by what the new cameras could do. As DSLR cameras improved (I now have a Nikon D850) there were few practical reasons for working with the older technology. But what does practicality have to do with anything? […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film
After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a challenging one for me and I took a bit more of a hit than I expected but, as I kept telling myself, there are two things to remember: 1) things […]
Posted inArticles, Film camera reviews, Opinion, Reviews
Nishika & The N8000: A seedy history of telephone scams, lawsuits and fake parts
Did you ever hear the tragedy of the Nishika N8000? If you haven’t you’re going to learn all about the seemingly seedy history of this camera; from fake LCD screens to telemarketing scams ahem, creativity…
Posted in5 Frames..., Articles
5 Frames… Of Chess at Vilnius University’s FTMC on Kodak Portra 160 (35mm Format / EI 200 / Nikon F3 + Nikon Nikkor 50mm f/1.8 AI)
5 Frames… Of Chess at Vilnius University’s FTMC on Kodak Portra 160 (35mm Format / EI 200 / Nikon F3 + Nikon Nikkor 50mm f/1.8 AI) – by Arutis We are now encountering unpleasant and unpredictable days during the pandemic, and I recall what a different was the situation a year ago when nobody could […]
Posted in5 Frames..., Articles
5 Frames… Of Mountain biking in the Valtellinesi Alps on Kodak Portra 160 (Canon A-1 and Canon FD 50mm f/1.8)
Autumn is always a great time of the year up there in the mountains. You can be pretty sure to find great colors and different atmosphere. Since last year when I started to get into film photography, I used to carry a film camera alongside a digital one during our outdoor adventures and projects. I […]
Posted in5 Frames..., Articles
5 Frames… Over 8 months on a Kodak Brownie Flash IV with respooled Kodak Portra 160 (620 Format / EI 160)
This ‘five frames’ might more properly be called ‘eight frames’ because it was inspired by an idea in the autumn of 2019 to dig out my very first camera, an old hand-me-down Kodak Brownie Flash IV from 1957, which was given to me by my photography mad dad when I was 8. That was in […]
Posted in5 Frames..., Articles
5 Frames… Of double exposures on Kodak Portra 160 (35mm Format / EI 160 / Minolta SRT 101 + MC W.Rokkor 35mm f/2.8)
When it comes to double exposure photography, I’ve never really seemed to get it quite right. Whether that is by not underexposing enough or just a lack of composition, the exposures never quite came out right. I’ve been shooting with my inherited camera (like many who got started in 35mm film photography), a Minolta SRT101, […]
Posted in5 Frames..., Articles
5 Frames… Of a gradually re-opened Bangkok on an Agfa Record III (120 Format / EI 160 / Kodak Portra 160)
I am not particularly a fan of color film, although I take many color photographs with my DSLR. When I had my first cameras as a kid, it was all black and white, but I did try some color before digital cameras began to appear. I returned to film when I bought a used Hasselblad […]
Posted inKodak Film Stock Reviews
Croatian views and colour tones on a Hasselblad 500C/M and Kodak Portra 160
No matter where I’m heading travel-wise, I always make a point of doing some sort of online recce before I depart. I think It gives you a visual understanding of the geographic layout and nature of the country you’re heading to and Croatia wasn’t a country I’d travelled to before. This online point of reference […]
Posted in5 Frames..., Articles
5 Frames… Of medium format on a budget (Kodak Portra 160 / 120 Format / EI 160 / Minolta Autocord RG1)
I, like many of you here, suffer chronic GAS. It remains true that a great picture comes from the photographer, not the camera, but there is something uniquely satisfying about using a camera that looks and feels good. Although my student budget places heavy limitations upon my Leica-laden aspirations, bargains can be found, which may […]
Posted inArticles, My First Roll...
My first roll… Of 120 film: Kodak Portra 160 in a Seagull TLR
I think that it is a wonderful idea to share the thoughts we have when trying something new. Sharing not only perfection in photography but also personal bewilderment makes one more humble towards others’ results and preferrably one learns things in the process. My first roll of 120 film wasn’t entirely my first ever but […]
Posted inFilm Photographer Interviews
EMULSIVE interview #217: I am Nat Meier and this is why I shoot film
I’m so pleased to be able to bring you today’s fresh film photographer interview with none other than Nat Meier. If you’ve spent any time at all on the Twitter film photography community over the past few months, you should be no stranger to Nat’s wonderful photography of San Francisco and beyond. For now, it’s […]
