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I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!
Let's start with the elephant in the room - this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the "Rolleiflex 2.8GX Expression 75 years edition".
London Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
...and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
It's all theatre Shot on Kodak Portra 160 at EI 160 Colour negative film in 35mm format Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer. It's an interesting read ahead, so I'll bow out and pass you over to David. Hi David, what's this picture, then? Antique Shops and
Life would be boring without experimentation and this fifth article for 2018's lazy post listicles should help you scratch that itch...or not. Either way, it's here. Comparing Fujifilm Acros to… Fujifilm Acros - READ Crank Case - Minolta XD7
I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK. Over to you, Lee. Hi Lee, what's this picture, then? Memory - Fuji Fujicolor 200 LG: Having always been fascinated
It's Kodak Portra's 20th anniversary and we're here to celebrate!
Regular readers will remember reading about Yan's current project, Mother River here on EMULSIVE a couple of weeks ago and I'm, please to be able to finally bring more of her words and work to you in today's fresh EMULSIVE
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
I’m having a play around with some different film cameras at the moment and picked up an Olympus Superzoom 80G for $6.
If you remember 2017's Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you'll be more than familiar with today's interviewee, Ian Bartlett. I'm looking forward to this!
January 27th 2016. Let that date burn into your memory. The was the first time today's interviewee and I first made email contact.
Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and it’s one I’ve been waiting for myself for quite a while. Indulge yourself and sink into the words and pictures of Christopher P.