Tag: ILFORD XP2 Super
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Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast Shot on ILFORD XP2 Super at EI 320 Black and white negative film in 120 format shot as...
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Why shoot film part 3: ILFORD XP2 Super report – by Simon King
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional...
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5 Frames With… ILFORD XP2 Super (EI 400 / 120 / Zeiss IKON Nettar) – by Sandeep Sumal
I love ILFORD XP2 SUPER. It’s a film I have shot with extensively. It is a C-41 black and white...
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I am Rob Hawthorn and this is why I shoot film
It’s a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you...
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Clipped – Shot on ILFORD XP2 Super (120)
Clipped Shot on ILFORD XP2 Super at EI 400 Black and white negative film in 120 format shot as...
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EMULSIVE interview #157: I am Perry J Resnick and this is why I shoot film
You may recall today’s interviewee from his piece on Kodachrome some time ago. Well, Perry...
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First break – Shot on ILFORD XP2 Super (120)
First break Shot on ILFORD XP2 Super at EI 400 Black and white negative film in120 format shot as...
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I am Toni Skokovic and this is why I shoot film
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic....
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Camera review: Minolta Hi-Matic AF by Aditya W
In this article, I will be reviewing the 1979 Hi-Matic AF released in 1979. It is an automatic...
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I am Roger Harrison and this is why I shoot film
This has been a tough interview to put together. Tough because, as you’ll see below,...
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I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article...
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EMULSIVE x ILFORD community interview: results time
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second...
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Camera review: the Olympus OM-1N by Sandeep Sumal
Today I’m handing over to Sandeep Sumal, better known as Twitter’s @givemeabiscuit,...
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Gated entry – Ilford XP2 Super
Ilford XP2 Super shot at EI 200 Black and white negative film in 120 format shot as 6×6 ...
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I am Sandeep Sumal and this is why I shoot film
It’s that time again and today we’re very proud to bring you not only the work and...
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EMULSIVE interview #41: I am Hamish Gill and this is why I shoot film
Today’s interviewee needs no introduction. I’m adamant about this. Over to you,...
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EMULSIVE interview #7: I am Lee Fennings and this is why I shoot film
This week we’re sitting down with Lee Fennings, a UK-based digital shooter, now just...
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- Articles (578)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (6)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,084)
- 110 format (4)
- 35mm format (473)
- 5 Frames With (106)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (268)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (191)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
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