When I started out in film photography, I was doing it as way to feel connected to my late father who also loved photography. I remembered his Canon SLR that he constantly took photos with when I was a kid.
These photos are of a friend/coworker of mine. Since his roommate’s work had just received a RED Cinema camera and a set of Atlas anamorphic … Read more
Having to spend some time at Bad Kreuznach, a small city in southwest Germany, where SCHNEIDER still builds – or at least sells – lenses, … Read more
Surprising as this may be but ILFORD XP2 SUPER is currently my favourite* general-purpose black & white film.
Half mast
Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6×6
Orange #21 filter
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional at LFW, some Fuji Neopan for Street, and some CineStill for low light nights, I am yet to find a film stock I am consistently
I love ILFORD XP2 SUPER. It’s a film I have shot with extensively. It is a C-41 black and white film so not a ‘true’ black and white film.
It’s a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob’s back with something a little different.
Clipped
Shot on ILFORD XP2 Super at EI 400
Black and white negative film in 120 format shot as 6×6
You may recall today’s interviewee from his piece on Kodachrome some time ago.
First break
Shot on ILFORD XP2 Super at EI 400
Black and white negative film in120 format shot as 6×6
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic.
In this article, I will be reviewing the 1979 Hi-Matic AF released in 1979. It is an automatic 35mm film camera with an Auto Focus capability.
This has been a tough interview to put together. Tough because, as you’ll see below, it’s been an absolute nightmare picking which one of Roger Harrison’s beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.
Back? Excellent.
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE.
The Olympus OM-1 was introduced in 1973 and was originally launched as the M-1, which relatively quickly had to be changed to the OM-1 as Leica felt it was too close to their M series. According to Olympus, it
Ilford XP2 Super shot at EI 200
Black and white negative film in 120 format shot as 6×6
It’s that time again and today we’re very proud to bring you not only the work and words of Sandeep Sumal, AKA Twitter’s @givemeabiscuit, but also a slight change to the questions we’re asking in these interviews.
Today’s interviewee needs no introduction. I’m adamant about this. Over to you, Hamish!
Fine.
