ILFORD XP2 Super
5 Frames… At the home of Schneider Kreuznach with ILFORD XP2 Super (EI 200 / 35mm format / Akarette II) – by Matthias Lauterer
Having to spend some time at Bad Kreuznach, a small city in southwest Germany, where SCHNEIDER still builds – or at least...
5 Frames… With ILFORD XP2 SUPER (EI 400 / 35mm format / Olympus XA3) – by Matt Parry
Surprising as this may be but ILFORD XP2 SUPER is currently my favourite* general-purpose black & white film.
Photography: Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast
Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6x6
Orange #21 filter
Why shoot film part 3: ILFORD XP2 Super report – by Simon King
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional at LFW, some Fuji Neopan for Street, and some CineStill for low light nights, I am yet to find a film stock I am consistently
5 Frames… With ILFORD XP2 Super (EI 400 / 120 format / Zeiss IKON Nettar) – by Sandeep Sumal
I love ILFORD XP2 SUPER. It’s a film I have shot with extensively. It is a C-41 black and white film so not a ‘true’ black and white film.
EMULSIVE interview #170: I am Rob Hawthorn and this is why I shoot film
It's a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob's back with something a little different.
Photography: Clipped – Shot on ILFORD XP2 Super (120)
Clipped
Shot on ILFORD XP2 Super at EI 400
Black and white negative film in 120 format shot as 6x6
EMULSIVE interview #157: I am Perry J Resnick and this is why I shoot film
You may recall today's interviewee from his piece on Kodachrome some time ago.
Photography: First break – Shot on ILFORD XP2 Super (120)
First break
Shot on ILFORD XP2 Super at EI 400
Black and white negative film in120 format shot as 6x6
EMULSIVE interview #150: I am Toni Skokovic and this is why I shoot film
It's a real pleasure to be able to bring you today's interviewee, Toni Skokovic.
Camera review: Minolta Hi-Matic AF by Aditya W
In this article, I will be reviewing the 1979 Hi-Matic AF released in 1979. It is an automatic 35mm film camera with an Auto Focus capability.
EMULSIVE interview #140: I am Roger Harrison and this is why I shoot film
This has been a tough interview to put together. Tough because, as you'll see below, it's been an absolute nightmare picking which one of Roger Harrison's beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I'm hoping you remember today's interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven't read it yet head on over, we'll wait.
Back? Excellent.
EMULSIVE x ILFORD community interview: results time
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE.
Camera review: the Olympus OM-1N
The Olympus OM-1 was introduced in 1973 and was originally launched as the M-1, which relatively quickly had to be changed to the OM-1 as Leica felt it was too close to their M series. According to Olympus, it
Photography: Gated entry – Ilford XP2 Super
Ilford XP2 Super shot at EI 200
Black and white negative film in 120 format shot as 6x6
EMULSIVE interview #62: I am Sandeep Sumal and this is why I shoot film
It's that time again and today we're very proud to bring you not only the work and words of Sandeep Sumal, AKA Twitter's @givemeabiscuit, but also a slight change to the questions we're asking in these interviews.
EMULSIVE interview #41: I am Hamish Gill and this is why I shoot film
Today's interviewee needs no introduction. I'm adamant about this. Over to you, Hamish!
Fine.
EMULSIVE interview #7: I am Lee Fennings and this is why I shoot film
This week I'm sitting down with Lee Fennings, a UK-based digital shooter, now just starting to shoot 35mm with his beautiful reconditioned Olympus Trip 35.
Lee's a rather strange beast as far as digital street photographers go;
