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Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional at LFW, some Fuji Neopan for Street, and some CineStill for low light nights, I am yet to find a film stock I am consistently
It's a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob's back with something a little different.
This has been a tough interview to put together. Tough because, as you'll see below, it's been an absolute nightmare picking which one of Roger Harrison's beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
I'm hoping you remember today's interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven't read it yet head on over, we'll wait.
The Olympus OM-1 was introduced in 1973 and was originally launched as the M-1, which relatively quickly had to be changed to the OM-1 as Leica felt it was too close to their M series. According to Olympus, it
It's that time again and today we're very proud to bring you not only the work and words of Sandeep Sumal, AKA Twitter's @givemeabiscuit, but also a slight change to the questions we're asking in these interviews.
This week I'm sitting down with Lee Fennings, a UK-based digital shooter, now just starting to shoot 35mm with his beautiful reconditioned Olympus Trip 35.
Lee's a rather strange beast as far as digital street photographers go;