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Rajadamnern: documenting Muaythai boxing on film

While studying art in college I found the sport of Muaythai, the National Sport of Thailand. I started practicing to get my...

Fujifilm Pro 400H: The Best Film I’ll Never Shoot Again –...

A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.

The Bronica ETR: 40 years old but not an old dog...

When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...

EMULSIVE Interview #201: I am Allysse Riordan and this is why...

Welcome to a fresh instalment of my "...this is why I shoot film" series!

5 Frames With… Fujifilm Pro 400H (EI 400 / 120 /...

I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120

Amazing canned food pinhole selfies (featured project and how to)

It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the "selfie generation", which triggered a chain of thought that lead me to a fusion of pop-art and selfies.

5 Frames With… Fuji Pro 400H (35mm / EI 400 /...

In July of 2018, I made the switch from 100% digital to 100% film. I started out shooting manual SLRs (Nikon F3 and Nikon FE2) and was pleased with those cameras.

5 Frames With… Fuji Pro 400H (EI 800 / 35mm...

By way of introduction my name is Geoff Roughton and to get it out of the way, 4 years ago I had a stroke…..well actually a series of mini-strokes followed by something more major.

Shooting an album cover on film – Eyedress’ Sensitive G

I had previously worked with Eyedress in Tokyo at Big Love Records. He's a Philipines based artist who is currently on Lex Records based out of England.

Camera review: the Nikon FE 2 – by Mac MacDonald

Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography needs.

Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils...

A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn't joking, it was anything but orthodox.

5 Frames With… Fuji Pro 400H (EI 400 / 35mm /...

要中文版的朋友麻煩您向下滚动 At the end of 2017, I went to Kyoto with my wife and my three-year-old son.

Photography: Evening glow – Shot on Fuji Pro 400H at EI...

Evening glow Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6x6          

EMULSIVE interview #170: I am Rob Hawthorn and this is why...

It's a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME. Well Rob's back with something a little different.

EMULSIVE interview #169: I am Darren Kelland and this is why...

Welcome to this week’s EMULSIVE interview.

Photography: Full spread – Shot on Fuji Pro 400H (35mm)

Full spread Shot on Fuji Pro 400H at EI 400 Color negative film in 35mm format      

Long exposure film tests part three: Kodak Professional Ektar 100, Portra...

Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.

EMULSIVE interview #154: I am Raymond van Mil and this is...

To my eye, there's something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.

Photography: Under George – Fuji Pro 400H (120)

Under George Shot on Fuji Pro 400H at EI 200 Color negative film in 120 format shot as 6x4.5