Bucharest is a mix of old and new, beautiful and tasteless architecture mashed together in a dance of the absurd, visual clashes sprinkled at every … Read more
I’ve been using the Contax G2 with the 45mm Planar lens for about 5 years now. It was the second proper film camera I had … Read more
Discovered in the depths of the cellar this film from 1987. My oh my expired, brittle and a pain in the major to develop and … Read more
My father was a hobby photographer and had a beautiful collection of Contax equipment. As I progressed in my work, he started generously handing down … Read more
Following my CONTAX S2 review last year, I got thinking why I liked using my S2 so much more than my RTS II. After all, … Read more
A few months ago I was heading to Europe for a few weeks. I needed a trusty camera that would allow me complete control but … Read more
Two years ago at a tram stop in Antwerp, I misstepped on the pavement’s edge and fell over. It was a bit embarrassing and it … Read more
This begins with a very unexpected message from a fellow photographer. Offering me a ticket to join him at All Points East Festival. With instant … Read more
The Contax T2 is hot property, the compact de jour, if you will. The Contax Tvs III is basically a T2 with a zoom lens. It’s also much cheaper, so the Tvs III should also be hot property, right?
The Contax T3 is so cute and desirable! The problem is that the T3 is crazy-expensive. If you are not wealthy, look away now.
The Contax T2 is the world’s most fashionable camera, apparently. Kendall Jenner uses the T2. Chris Hemsworth uses the T2. Various other celebrities I don’t know use the T2.
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.
I’ll keep this short so you can spend as much time as possible on the images below.
Most of the frames which make up this mini-review are from the first roll of slide film
Sheaves
Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8
SheaveShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.
12 kilos
Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8
12 kilosShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.
Ignominious defeat
Shot on ORWO N74 plus at EI 400
Black and white negative film in 35mm format
Development notes
Rodinal: 1+100, 21°C/70°F, 60:00 (N)
No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse
 
Load bearing
Shot on Lomography Lady Grey BW 400 at EI 1600.
Black and white negative film in 35mm format.
Push processed two stops.
Development notes:
Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2)
No presoak, 1-minute initial agitation
The moon in her hands
Shot on Kosmo Foto Mono 100 at EI 100.
Black and white negative film in 35mm format
