Tag: Canon
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Nothing to lose… My Indian road trip
“I have nothing to lose.” This was what I thought to myself before clicking on the button that subsequently led me on a solo trip to Delhi and North India in July 2018. 2018 started off slow.
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5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon EOS5)
Once every couple of months, I throw a film into my old Canon EOS5 (the Plastic Fantastic) and follow my daughter around for the day, shooting the stuff she gets up to.
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EMULSIVE interview #190: I am Simon Riddell and this is why I shoot film
Based in the Scottish Highlands, today’s interviewee gets about a bit, and I don’t just mean island hopping in the Scottish seas.
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5 Frames… With Kodak EKTACHROME 160 (EI 160 / 35mm format / Canon EOS 1N)
I’ve been shooting film most of my life, I’d say about 75% of my photos reside on Kodak Ektachrome slide film. When the digital age took over I got away from shooting film for a while.
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Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Over processed one stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1)
The images in this series are abstracted Houston landscapes, shot on 35mm film.
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5 Frames… With Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon EOS 1V)
My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old T-MAX P3200 version was coming back I was excited.
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Canon 7)
I’ve been working in the main business district of Paris, La Défense, for more than a decade. Nevertheless, it took me coming back to film a few years ago to start exploring the neighbourhood.
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5 Frames… With Fuji Reala 100 (EI 100 / 35mm / Canon EOS 500)
After deciding to take a city break in Rome, Italy – together with my mother – I knew immediately what camera and what films I would take with me. I was lucky to have good weather and the sun on
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5 Frames… With Kodak EASTMAN Double-X 5222 (EI 250 / 35mm format / Contax G2)
I couldn’t resist trying this film. The truth is I am eager to experiment with any emulsion I encounter. But I sought out this esoteric option because of its cinematic heritage.
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1 Program)
Friendship can be hard at times. Sometimes distance can pry us apart.
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EMULSIVE interview #177: I am Clara Araujo and this is why I shoot film
It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven’t already done so, please do check out her take on portrait photography and double exposure portraiture.
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Creating double exposure portraits
One of my favorite things about shooting film is that I can make multiple exposures, which are photographs that contain 2 or more images on the same frame.
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Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Camera review: Canon EOS-1
I brought the Canon EOS-1 a couple of years ago and among all of the cameras that I have had and have been able to use up until now, it is still my favorite in the original analogue EOS
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5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon EOS 30V Date)
With the exception of an Olympus Trip, I sold all of my 35mm camera equipment at the beginning of 2017. This was a decision I have regretted since.
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5 Frames… Withergger Pancro 400 (EI 1600 / 35mm format / Canon EOS 50)
I have a friend who is a ‘proper’ photographer.
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Photography: Immersed – Shot on Cinestill 800T at EI 800 (35mm)
Immersed Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format