film.photography
Burning CHROME
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Waving in the new
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+1/3 stops.
Stand apart
Shot on Kodak TMAX 100 shot at EI 100
Back and white negative film in 120 format shot as 6×6
Pockmarked
Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320
Black and white negative film in 135 format
Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.
Two strokes
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 200
Black and white negative film in 35mm format
Fixed motion
Shot on Rollei Superpan 200 at EI 400.
Black and white negative film in 120 format shot as 6×6.
Push processed one stop.
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
SPRUNG!
Shot on Kodak Tri-X 400 at EI 400
Black and white negative film in 120 format shot as 6×6
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Left Hanging
Shot on Shanghai GP3 100 at EI 400.
Black and white negative film in 120 format shot as 6×6.
Push processed two stops.
Through the window
Shot on Fuji Acros 100 at EI 100.
Black and white negative film in 120 format.
We love sharing. In fact, we’d like to think it’s a big part of our remit to inform you of upcoming film photography gatherings and goings-on, both small and large.
Bamboo Glade
Shot on ILFORD HP5 Plus at EI 800.Black and white negative film in 120 format shot as 6×6.Pushed one stop.
Read the full ILFORD HP5 PLUS review here.
Bamboo GladeShot on ILFORD HP5 PLUS at EI 800Black
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
Shot on ILFORD FP4 PLUS shot at EI 200.Black and white negative film in 35mm format.Push processed 2/3 stop. RackedShot on ILFORD FP4 PLUS at EI 200.Black and white negative film in 35mm format.Push processed 2/3 stop.
Smiles all round
Shot on Fuji NEOPAN 100 ACROS at EI 100Black and white negative film in 120
Welcome to this review of Rollei Superpan 200 black and white film in 120 format.
