Tag: Black and White Negative Film
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Film stock review: Efke KB-25 in 35mm format
Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.
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Photography: The dog – Polypan F (35mm)
The dog Polypan F shot at ISO100 Black and white negative film in 35mm format One-stop push process
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Photography: Perfect combination – Shot on Kodak T-MAX 100 TMX at EI 100 (35mm format)
Perfect combination Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 35mm format
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Photography: Urban sprawl – Shot on Rollei Infrared 400 at EI 400 (120 format)
Urban sprawl Rollei Infrared 400 shot at EI 400 Black and white negative infrared sensitive film in 120 format shot as 6×6
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Photography: Wispy – Shot on Rollei Infrared 400 at EI 400 (120 format)
Wispy Rollei Infrared 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Outside world – Shot on Kodak T-MAX 100 at EI 100 (120 format)
Outside world Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Regret – Shot on Kodak T-MAX 100 at EI 100 (120 format)
Regret Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Rusted – Fuji ACROS 100 (120)
Rusted Fuji Acros 100 shot at ISO1600 Black and white negative film in 120 format Push processed 4 stops
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Photography: Urdhva mukha śvānāsana / upward facing dog – Shot on Kodak T-MAX 400 at EI 400 (120 format)
Urdhva mukha śvānāsana / Upward facing dog Kodak T-MAX400 shot at EI 400 Black and white negative film in 120 format shot as 6×4.5
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Photography: Spokes – Kodak Tri-X 400 (120)
Spokes Kodak Tri-X 400 shot at ISO800 Black and white negative film in 120 format
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Photography: Porthole – Shot on Rollei RPX 100 at EI 100 (120 format)
Porthole Shot on Rollei RPX100 at EI 100 black and white negative film in 120 format shot as 6×6
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Photography: On the meter – Shot on Rollei Superpan 200 at EI 400 (120 format)
On the meter Rollei Superpan 200 shot at EI 400 Black and white negative film in 120 format shot at 6×6 Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: No parking – Shot on Ultrafine Xtreme 400 at EI 400 (120 format)
No parking Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Birch – Shot on Fuji Acros 100 at EI 400 (120 format)
Birch Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Follow the dragon – Shot on Shanghai GP3 100 at EI 100 (120 format)
Follow the dragon Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Extinguished – Shot on Shanghai GP3 100 at EI 400 (120 format)
Extinguished Shot on Shanghai GP3 100 at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Ride the big wheel – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
Ride the big wheel Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format
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Photography: Big block – Eastman Double-X 5222 (35mm)
Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm format Push processed 4+2/3 stops
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Photography: The pane – Ilford HP5+ (120)
27-07-2015 – The pane Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
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Photography: Low EQ – Shot on Shanghai GP3 100 at EI 800 (120 format)
Low EQ Shot on Shanghai GP3 100 at EI 800 Back and white negative film in 120 format shot as 6×6 Push processed two stops