Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.
Tag: Black and White Negative Film
Photography: The dog – Polypan F (35mm)
The dog
Polypan F shot at ISO100
Black and white negative film in 35mm format
One-stop push process
Photography: Perfect combination – Shot on Kodak T-MAX 100 TMX at EI 100 (35mm format)
Perfect combination
Shot on Kodak T-MAX 100 at EI 100
Black and white negative film in 35mm format
Photography: Urban sprawl – Shot on Rollei Infrared 400 at EI 400 (120 format)
Urban sprawl
Rollei Infrared 400 shot at EI 400
Black and white negative infrared sensitive film in 120 format shot as 6×6
Photography: Wispy – Shot on Rollei Infrared 400 at EI 400 (120 format)
Wispy
Rollei Infrared 400 shot at EI 400
Black and white negative film in 120 format shot as 6×6
Photography: Outside world – Shot on Kodak T-MAX 100 at EI 100 (120 format)
Outside world
Shot on Kodak T-MAX 100 at EI 100
Black and white negative film in 120 format shot as 6×6
Photography: Regret – Shot on Kodak T-MAX 100 at EI 100 (120 format)
Regret
Shot on Kodak T-MAX 100 at EI 100
Black and white negative film in 120 format shot as 6×6
Photography: Rusted – Fuji ACROS 100 (120)
Rusted
Fuji Acros 100 shot at ISO1600
Black and white negative film in 120 format
Push processed 4 stops
Photography: Urdhva mukha śvānāsana / upward facing dog – Shot on Kodak T-MAX 400 at EI 400 (120 format)
Urdhva mukha śvānāsana / Upward facing dog
Kodak T-MAX400 shot at EI 400
Black and white negative film in 120 format shot as 6×4.5
Photography: Spokes – Kodak Tri-X 400 (120)
Spokes
Kodak Tri-X 400 shot at ISO800
Black and white negative film in 120 format
Photography: Porthole – Shot on Rollei RPX 100 at EI 100 (120 format)
Porthole
Shot on Rollei RPX100 at EI 100
black and white negative film in 120 format shot as 6×6
Photography: On the meter – Shot on Rollei Superpan 200 at EI 400 (120 format)
On the meter
Rollei Superpan 200 shot at EI 400
Black and white negative film in 120 format shot at 6×6
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Photography: No parking – Shot on Ultrafine Xtreme 400 at EI 400 (120 format)
No parking
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×6
Photography: Birch – Shot on Fuji Acros 100 at EI 400 (120 format)
Birch
Fuji Acros 100 shot at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed two stops
Photography: Follow the dragon – Shot on Shanghai GP3 100 at EI 100 (120 format)
Follow the dragon
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×6
Photography: Extinguished – Shot on Shanghai GP3 100 at EI 400 (120 format)
Extinguished
Shot on Shanghai GP3 100 at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed two stops
Photography: Ride the big wheel – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
Ride the big wheel
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200
Black and white negative film in 35mm format
Photography: Big block – Eastman Double-X 5222 (35mm)
Big block
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200
Black and white negative film in 35mm format
Push processed 4+2/3 stops
Photography: The pane – Ilford HP5+ (120)
27-07-2015 – The pane
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
Photography: Low EQ – Shot on Shanghai GP3 100 at EI 800 (120 format)
Low EQ
Shot on Shanghai GP3 100 at EI 800
Back and white negative film in 120 format shot as 6×6
Push processed two stops