7artisans

Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at …

Read moreLearning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

EMULSIVE’s most popular articles of 2018

It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110

Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive

UPDATE 01 2017-04-27: Added production specifications

Standing on the shoulders of Hamish Gill’s early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I’m here to offer my thoughts on one of the very first copies

Cover - Blind film review: Fuji Natura 1600, Kodak Portra 800 and Lomography Color Negative 800 (35mm)

Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)

At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography’s Color Negative 800 in a side-by-side review.

In her infinite wisdom