Tag: 35mm Format Film
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Photography: The longer you wait… – Agfa Scala 200X (35mm)
The longer you wait… Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format
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Photography: Hey, you’re in my sho…never mind – Kodak Tri-X 400 (35mm)
Hey, you’re in my sho…never mind Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Tread – Fuji Reala 500D 8592 (35mm)
Tread Fuji Reala 500D (8592) shot at EI 100 Color motion picture film in 35mm format
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Photography: Coiled #01 – ADOX Silvermax 100 (35mm)
Coiled #01 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
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Photography: One half and two quarters – Fuji Neopan 400CN (35mm)
One half and two quarters Fuji Neopan 400CN shot at EI 200 Black and white film in 35mm format
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Photography: Urban constellations #01 – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Urban constellations #01 Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide
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Thoughts on Fuji NEOPAN 1600 AKA: let your film fulfil its destiny
Some weeks back I bought 3 rolls of expired Fuji Neopan 1600.
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Photography: Death Valley Approach #02 – Kodak EKTACHROME 100VS – E100VS (35mm)
Death Valley Approach #02 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×12 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: RAMP – Fuji Pro 400H (35mm)
RAMP Fuji Pro 400H shot at EI 200Color negative film in 35mm formatOver exposed 1-stop RAMPFuji Pro 400H shot at EI 200.Color negative film in 35mm formatOver exposed 1-stop.
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Photography: Time to burn – Kodak Portra 160NC (135)
2016-10-03 – Time to burn Kodak Portra 160NC shot at ISO100 Color negative film in 35mm format Unperforated stock, bulk loaded and shot in a 120 TLR
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Photography: Six layers – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Six layers Kodak Ektar 100 shot at EI 100 Color negative film in 35mm format
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Photography: Symmetry – Kodak Portra 160NC (35mm)
2016-09-29 – Symmetry Kodak Portra 160NC shot at EI 100 Color negative film in 35mm format
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Photography: By the sack – Fuji Pro 400H (35mm)
2016-09-28 – By the sack Fuji Pro 400H shot at EI 200 Color negative film in 35mm format Over exposed by one stop
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Photography: That way – Konica Color Pro 100 shot at EI 100 (35mm format)
That way Konica Color Pro 100 shot at EI 100 Color negative film in 35mm format That wayKonica Color Pro 100 shot at EI 100.Color negative film in 35mm format.
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Photography: Erm…what? – Oriental New Seagull 400 (35mm)
Erm…what? Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: Reflection – Fuji 64D 8552 (35mm)
2016-09-19 – Reflection Fuji 64D 8552shot at EI 64 Color negative motion picture film in 35mm format
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Photo story – Beauty from disaster
I’ll keep this short. I’d like to present a ten-step process that may help you to obtain beauty from disaster (as I did below).
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EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.
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Photography: What is it? – Eastman Double-X 5222 (35mm)
What is it? Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+2/3 stops
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