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Home » 2019 - July

Tag: 2019 – July

Me - Lina Bessonova
Posted inFilm Photographer Interviews

EMULSIVE Interview #203: I am Lina Bessonova and this is why I shoot film

by EMJuly 31, 2019July 31, 2021

Darkroom lab owner, photographer, printer and workshop host, Lina Bessonova is one of the busiest interviewees I’ve had on so far this year.

Beyond the Visual - an interactive photo booth experience
Posted inArticles, Featured projects

Beyond the Visual: an interactive photo booth experience

by Jonathan PotterJuly 30, 2019July 31, 2021

Beyond the Visual is an interactive photo booth experience: a combination of visual arts piece, immersive theater, and educational program. We are transforming an…

5 Frames With... New Oriental Seagull 100 (EI 100 / 35mm / Canon AV-1) - by Orrin Heath
Posted in5 Frames..., Articles

5 Frames… With New Oriental Seagull 100 (EI 100 / 35mm format / Canon AV-1)

by Orrin HeathJuly 29, 2019July 31, 2021

In Japan, Fujifilm NEOPAN 100 ACROS was the least expensive black and white film. However, with the film no longer being made, I needed to find a replacement. This is where New Oriental Seagull 100 comes in. This film is nearly the same price as ACROS at about $6.50 US dollars (650 JP yen). I […]

Introducing the Crumpotype - buttery Summertime cyanotype fun
Posted inArticles, Guides & How-Tos

Introducing the Crumpotype : Buttery Summertime cyanotype fun

by John WhitmoreJuly 28, 2019July 31, 2021

Traditional photographic processes require forethought, preparation and involvement on the part of the photographer. To demonstrate this, I made crumpets from scratch and then made cyanotypes using them. Because, obviously.

5 Frames With... Cinestill 800T (EI 1600 / 120 / Rolleiflex K4B) - by Laura Pardo
Posted in5 Frames..., Articles

5 Frames… With Cinestill 800T at night (EI 1600 / 120 format / Rolleiflex K4B)

by Laura PardoJuly 27, 2019July 31, 2021

I bought my Rolleiflex K4B off eBay about a year ago and got a pretty sweet deal for it. Since then, it has become pretty much my favorite camera to shoot personal work with. Mine came with the Carl Zeiss Tessar 75mm f/3.5 lens, and the images it produces are just stunning. Lately, I’ve been […]

Anecdotal evidence: My darkroom tricks and treats - by Fred Rosenberg
Posted inArticles, Darkroom, Featured

Anecdotal evidence: My darkroom tricks and treats

by Fred RosenbergJuly 26, 2019July 31, 2021

I’ve been a street photographer and black and white darkroom worker since back when bulk film loaders boasted of “Penny a Frame” – that’s right, $.36 a roll of film.

5 Frames With... Fujifilm Natura 1600 (EI 1600 / 35mm / Nikon EM) - by Huy Le
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Natura 1600 at night (EI 1600 / 35mm format / Nikon EM)

by Huy LeJuly 25, 2019July 31, 2021

I’ve always wanted to try out Fujifilm Natura 1600 film since over ten years ago when I first saw a photographer using it on their Flickr page.

Cover: Using a contact sheet to actively curate an image - by Simon King
Posted inArticles, Featured, Opinion

Using a contact sheet to actively curate an image

by Simon KingJuly 24, 2019July 31, 2021

Contact sheets are an incredibly useful tool when it comes to reviewing and learning from your own approach to photography, and when curating a series of shots down to one final “keeper.” I am an advocate of constant review

The Unique Nikon Nikkor-Q 25CM f/4 for Bronica S2/S2A - by David Hancock
Posted inFeatured, Lens Reviews, Reviews

The Unique Nikon Nikkor-Q 25CM f/4 for Bronica S2/S2A

by David HancockJuly 23, 2019July 31, 2021

Most people will never see, hold, or use the Bronica S2A’s Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton’s authoritative Bronica S2A book “Bronica: The Early History and Definitive Collector’s Guide” lists only five known copies.

Minolta SRT201 and Minolta MD W.Rokkkor-X 24mm f/2.8
Posted in5 Frames..., Articles

5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Minolta SRT 201)

by Efrain Bojorquez GarciaJuly 22, 2019July 31, 2021

I just recently got this Minolta SRT201 from an old friend who didn’t have the time nor the space to make a home for her.

Changing gear: The inverse of control AKA a Holga point of view
Posted inArticles

Changing gear: The inverse of control AKA a Holga point of view

by Sandeep SumalJuly 21, 2019July 31, 2021

When I first started photography as a serious hobby I was shooting a Fujifilm X10 digital camera.

5 Frames With... Kodak Portra 400 (EI 400 / 35mm / Rollei 35S) - by Peter Schafer
Posted in5 Frames..., Articles

5 Frames… In Cuba on Kodak Portra 400 (EI 400 / 35mm format / Rollei 35S)

by Peter SchaferJuly 20, 2019July 31, 2021

I had been to Cuba about five times since 2014 before my most recent trip last year to Viñales, in the far western province of Pinar del Río.

Cover: How To- Make A Simple Large Format Pinhole Camera - By Tony Warren
Posted inArticles, Guides & How-Tos

How to: Make a simple large format pinhole camera

by Tony WarrenJuly 19, 2019July 31, 2021

In this article, I will be guiding you through the construction of a simple pinhole camera out of a cardboard box, which uses photographic paper to make photographs.

Olympus OM-4T and Olympus Zuiko 300mm f/4.5
Posted in5 Frames..., Articles

5 Frames… With Kodak EKTACHROME E100 (EI 100 / 35mm format / Olympus OM-4T)

by David HancockJuly 18, 2019July 31, 2021

The OM-4 represented the pinnacle of Olympus film camera development. The multi-spot metering function, unique to the OM-3 and OM-4 bodies, afforded photographers the greatest manual exposure control in any film camera produced.

Canon EOS 1V - Fuji Provia 100F (RDP III) - Anguilla
Posted inFilm Photographer Interviews

EMULSIVE Interview #202: I am Wendy Gunderson and this is why I shoot film

by EMJuly 17, 2019July 31, 2021

Welcome to EMULSIVE interview #202! Today I’m featuring the work and words of Wendy Gunderson, lawyer, photographer, community builder and serial website creator to name a few.

The 50th anniversary of a giant leap for mankind - Charys Schuler
Posted inOpinion

The 50th anniversary of a giant leap for mankind – Charys Schuler

by Charys SchulerJuly 16, 2019July 31, 2021

July 16th 1969 at 9:32am EDT, the crew of NASA’s Apollo 11 mission began their historic journey to the moon and back atop the largest rocket system ever made, the Saturn V.

LomoChrome Metropolis, the first new colour film stock in 5 years- available in 16mm, 35mm, 110 and 120 formats
Posted inNews

The first new colour film stock in 5 years: LomoChrome Metropolis available in 16mm, 35mm, 110 and 120 formats

by EMJuly 16, 2019February 5, 2022

It’s been nearly five years since we saw a new colour negative photographic film hit the shelves and over six since the one before that.

Cover: 5 Frames With... Kodak Tri-X 400 (EI 400 : 135 : Bronica GS-1)
Posted in5 Frames..., Articles

5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Bronica GS-1)

by Pierre GodessartJuly 15, 2019July 31, 2021

I was born in Charleroi, Belgium. This city had a long and successful past of coal mining and is therefore scattered with coal heaps.

Cover: The Hypersensitive Podcast
Posted inHypersensitive Photographers Podcast

The Hypersensitive Podcast Episode 07: I forgot the question

by EMJuly 15, 2019July 31, 2021

We got new mics…but didn’t understand the enormity of our incompetence and ended up recording the respective “other side” to our conversation while recording this month’s episode.

One year of Analogue Wonderland- a retrospective
Posted inFeatured projects

One year of Analogue Wonderland: a retrospective

by Paul McKayJuly 14, 2019July 31, 2021

It’s been over a year since Analogue Wonderland first opened its (virtual) doors and started selling a wide variety of films to analogue photographers around the world.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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