Tag: 120 Format Film
-
Photography: Sidings – Shot on Fuji Pro 160NS at EI 100 (120 format)
Sidings Fuji Pro 160NS shot at EI 100. Color negative film in 120 format.
-
Film stock review: Fujifilm FUJICHROME Velvia 100 (RVP 100) in 35mm, 120 and sheet format
I’ve not always had the best time shooting Fujifilm’s Velvia 100 over the years, or to give it it’s proper name, Fujifilm FUJICHROME Velvia 100.
-
-
Photography: Red rims – Shot on Lomography Color Negative 400 at EI 400 (120 format)
Red rims Shot on Lomography Color Negative 400 EI 400. Color negative film in 120 format shot as 6×6.
-
Photography: Time to reflect – Kodak Ektar 100 (120)
Time to reflect – 2015-07-13 Kodak Ektar 100 shot at EI 100. Color negative film in 120 format shot as 6×6.
-
Film notes: Fuji Provia 100F (RDPIII)
Following on from my review of Fuji Provia 100F (RDP III), here’s our quick reference for (nearly) everyone’s favourite slide film. Here’s what Fuji have to say: “FUJICHROME PROVIA 100F Professional is an ultra-high-quality, daylight-type ISO 100-color reversal film. With
-
The photographer’s daypack – part 2: medium format street shooters
A little while ago, I covered my recommendations and rationale for the basic photographer’s daypack – a small, light pack of essential items for any film photographer.
-
Photography: Stand apart – Shot on Kodak TMAX 100 at EI 100 (120 format)
Stand apart Shot on Kodak TMAX 100 shot at EI 100 Back and white negative film in 120 format shot as 6×6
-
Experiments: cross processing and push processing Fuji Provia 100F (RDP III)
Picking up from my original Provia 100F review, I’m going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we’ll be talking about pushing, cross processing and
-
Film notes: ILFORD FP4 PLUS 125
Following on from our recent review, here’s a quick reference for ILFORD’s fine detail, old school contrast monster, FP4 PLUS. Here’s what they have to say: “For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
-
Experimenting with Rollei Superpan 200 (with bonus infrared)
Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.
-
Photography: Fixed motion – Shot on Rollei Superpan 200 at EI 400 (120 format)
Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6×6. Push processed one stop. Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
-
Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and sheet film
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
-
Photography: Let there be light – Shot on Fuji Provia 100F RDP III (120)
Let there be light Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
-
Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Gone fisheye-ing Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 30mm fisheye
-
Photography: SPRUNG! – Shot on Kodak Tri-X 400 at EI 400 (120)
SPRUNG! Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 120 format shot as 6×6 Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: Guarded dog – Shot on Kodak EKTACHROME E100VS (120)
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 120 format shot as 6×4.5Cross processedRead the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide
-
Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
-
Photography: Lotus – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Lotus Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
-
Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
