film.photography
Through the window
Shot on Fuji Acros 100 at EI 100.
Black and white negative film in 120 format.
Walk your path
Shot on Kodak Portra 400 at EI 400.
Color negative film in 120 format shot as 6×12.
There’s more from this roll of Kodak Portra 400 at the EMULSIVE Archives.
Fade to red
Shot on Fuji Velvia 50 (RVP 50) at EI 50.Color slide film in 120
Bamboo Glade
Shot on ILFORD HP5 Plus at EI 800.Black and white negative film in 120 format shot as 6×6.Pushed one stop.
Read the full ILFORD HP5 PLUS review here.
Bamboo GladeShot on ILFORD HP5 PLUS at EI 800Black
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
Bougainvillea
Shot on Fuji Velvia 100 RVP 100 shot at EI 80.Color reversal (slide) film
Today we’ll be reviewing Fuji’s Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.
Spring Cleaning
Shot on Fuji Velvia 50 (RVP 50) at EI 40.Color reversal (slide) film in 120 format
Ajar
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 120 format shot as 6×4.5Push processed one stop and cross processed
Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide
AjarShot on Kodak EKTACHROME
Smiles all round
Shot on Fuji NEOPAN 100 ACROS at EI 100Black and white negative film in 120
Welcome to this review of Rollei Superpan 200 black and white film in 120 format.
Growth
Shot on Lomography Color 400 at EI 400Color negative film in 120 format film shot as 6×6
Kodak EKTACHROME E100VS quickly become one of my favorites for its vivid look, ability to handle high-contrast, or very bright lighting conditions and the ease at which it can be pushed past its box speed.
In addition, the crazy
