It’s been a little while since I have gone out to do some shooting with my Holga.
Having read a couple of reviews on EMULSIVE from proud owners of other medium format gear (Daniel J.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
One day, some time ago, I hatched a plan to do the biggest comparative test of compact film cameras that had (possibly)...
A year ago I was looking for the "ultimate film compact camera", the Ricoh GR1 series, but I was somewhat afraid of...
I'd like to tell you a story.
When I was writing my eBook on the Holga cameras, I made the assumption that I would be covering as many Holga models as I could get my hands on—medium format Holgas, that is.
...and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
Welcome to this review of Rollei Superpan 200 black and white film in 120 format.
Welcome to part three of my review of Luckyfilm's NEW SHD 100 black and white negative film, this time describing the film shot at EI 400 and bracketed +/- 1 stop of under and overexposure. Series structure Part
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras.
Fujifilm made some nice mid-range compacts, but inexplicably, they are priced like premium compacts. I couldn’t bring myself to pay the prices being demanded for a Natura Classica or a Klasse.
UPDATE: Part two: EI 800 bracketed +/- 1 stop is hereRead part two of this series, exploring Pancro 400 shot at EI 800 and bracketed +/- 1 stop here! You may have seen this recent article covering all the
Beloved of landscape photographers, especially those involved with supplying images for calendars and home decor products both before and well into the digital camera era, the Fuji Panorama GX617 was the final iteration of Fuji’s legendary behemoth panoramic medium
Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.