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Find all EMULSIVE reviews, covering films, cameras, bags and other film photography gear here.

Blind film review: Fuji Natura 1600, Kodak Portra 800 and Lomography...

At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting...

Film review: Bergger Pancro 400 Part 6 – 35mm EI 400...

It's about time to wrap up the part of this series that covers Bergger's 35mm Pancro 400 film with something a bit special: reversal...

Film review: my Fuji slide affair – by Denys Trofimchuk

I have always had a love/hate relationship with color film. I think it's mostly because I rarely got the results I wanted or imagined...

Film review: Kodak EKTACHROME E100G – by James King

I wasn’t overly keen on writing a film review when EM first suggested it. I usually stick to Kodak Portra or Tri-X; films that...

Field notes: Kodak Professional T-MAX 400

Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film...

Field notes: Lomography LomoChrome Turquoise XR 100-400

Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film...

Film review: Bergger Pancro 400 Part 7 – 120 EI 400...

Welcome to part seven of my Bergger Pancro 400 review series. In this article I'll be demonstrating the film in medium format (120) shot...

Camera review: the RealitySoSubtle 6×12

I have been using digital cameras for the past 20 years. Like many of us, my love of photography began when I was a...

Black and white film high EI shootout part 1: Kodak Tri-X...

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800. It went down quite well and...

Camera review: Yashica-mat 124 TLR – by Milan Juza

As a 6x6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up...

Film review: Bergger Pancro 400 Part 2 – 35mm EI 800...

Read part two of this series, exploring 35mm Pancro 400 shot at EI 1600 and bracketed +/- 1 stop here! Following on from my recent...

Sibling rivalry: Fujica GS645 & GS645S street photography shootout

The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but different enough that the cameras beg for comparison....which interestingly enough,...

Camera review: Me and my Exakta VAREX IIb by Louis Sousa

You may recall the scene below from Rear Window (1954). Jimmy Stewart is fervently seated in a wheelchair, using an Exacta camera and massive telephoto lens,...

A paean to Ilford Pan F+ or: There’s something about slow...

Sub 100 ISO films... There's mystique about them; smooth, finely grained, challenging. Something for the true pros and "serious types". They seem to take on...

Camera review: me and my Olympus 35 SP by Matt Parry

The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection. For around seven months it has been...

Book review: All about “All About Saul Leiter”

A while back, I made a bit of noise on EMULSIVE and via an email to the Sunny 16 Podcast about photographers talking more...

How to: developing your own slide film with the Tetenal Colortec...

Congratulations, if you are reading this article then you are (hopefully!) willing to take the next step in your film development adventure. In this...

Four seasons with: Kodak EASTMAN Plus-X 5231 – by Marco Calemme

And this is where my journey of home developing begins! After a couple of disappointments - in rapid succession - of the work of some...

Long exposure film tests part two: ILFORD HP5+, ILFORD Delta Professional...

Welcome to part two of my long exposure test results. for part two I wanted to look at how higher speed films from ILFORD...

Camera review: Minolta Hi-Matic AF by Aditya W

In this article, I will be reviewing the 1979 Hi-Matic AF released in 1979. It is an automatic 35mm film camera with an Auto Focus...