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Camera review: Mamiya 645 1000S by Tim Dobbs

The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed by a Mamiya C3 both of...

Comparing Fuji ACROS 100, ILFORD Delta 100 Professional and Kodak T-MAX...

This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without...

Camera review: the Hasselblad 903 SWC

I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM). I now...

Film stock review: Fomapan 400 Action / Arista EDU Ultra 400

I first tried Foma films about eight years ago when I moved to the Czech Republic. Since then I've purchased it in both 135 and 120...

Black and white film high EI shootout part 2: Kodak Tri-X...

The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping...

The Hasselblad V-System master guide: an overview

The Hasselblad V-System Master Guide, a hub of in-depth articles and reviews intended to be an exhaustive resource for real, user-verified data on this...

Camera review: the Nikon FE 2 – by Mac MacDonald

Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography...

Every single film stock still made today – Part 7: the...

This is the final part of my series covering every single one of the 180+ photographic film stocks still being made today. I'll be breaking...

The Hasselblad V-System master guide: C and C T* lenses

There's no arguing that in the V-System, Hasselblad created one of, if not the world's most comprehensive and flexible medium format camera system. The V-System...

Film stock review: Kodak Pro Image 100

I’ll begin this review with a quick disclaimer - I’ve been shooting film for less than a year at this point. During this time,...

Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and...

If I want to shoot a film with buckets of character and great, deep contrast at moderate box speed, then more often than not,...

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter...

The Hasselblad 2000FCW was the third in the legendary Swedish company's family of 6x6 focal plane shutter cameras. If you want to be able to...

How to make a TEXPan: shoot wide-format 35mm film in the...

In this article, I'll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make...

Camera review: me and my Olympus 35 SP by Matt Parry

The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection. For around seven months it has been...

Film stock review: Rollei Infrared 400

I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry. Virtually...

Every single film stock still made today – Part 1: ADOX...

Update 02: 2018-09-20 If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today....

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+...

Covering the results of experimenting with Kodak Tri-X 400, article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI...

Camera review: the Olympus IS-5000 bridge camera – by Tom Perry

2002 was a funny time for film cameras. Technically, they were as good as they could get in terms of specs - most SLRs...

Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800...

At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting...

Push processing ILFORD HP5 PLUS from EI 800 to EI 6400

Hi! My name is Daniel and I live in Helsinki, Finland. I “rediscovered” film around 1.5 years ago (at the time of writing) and...