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Find all EMULSIVE reviews, covering films, cameras, bags and other film photography gear here.

Film review: comparing Fuji ACROS 100, ILFORD Delta 100 Professional and...

This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without...

Camera review: Mamiya 645 1000S by Tim Dobbs

The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed by a Mamiya C3 both of...

Camera review: Mamiya Press Super 23 and Mamiya Universal Press

I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras....

Every single film stock still made today – Part 7: the...

This is the final part of my series covering every single one of the 180+ photographic film stocks still being made today. I'll be breaking...

Film review: Fomapan 400 Action / Arista EDU Ultra 400

I first tried Foma films about eight years ago when I moved to the Czech Republic. Since then I've purchased it in both 135 and 120...

The Hasselblad V-System master guide: an overview

Welcome to the Hasselblad V-System Master Guide, a collection of in-depth articles and reviews intended to be an exhaustive resource for real, user-verified data...

Black and white film high EI shootout part 2: Kodak Tri-X...

The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping...

The Hasselblad V-System master guide: C and C T* lenses

There's no arguing that in the V-System, Hasselblad created one of, if not the world's most comprehensive and flexible medium format camera system. The V-System...

Film review: ILFORD FP4 PLUS – 35mm, 120 format and sheet...

If I want to shoot a film with buckets of character and great, deep contrast at a moderate box speed, then more often than not, I'll...

Film Review: Kodak Pro Image 100

I’ll begin this review with a quick disclaimer - I’ve been shooting film for less than a year at this point. During this time,...

Film review: Rollei Infrared 400

I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry. Virtually...

Camera review: the Olympus IS-5000 bridge camera – by Tom Perry

2002 was a funny time for film cameras. Technically, they were as good as they could get in terms of specs - most SLRs...

Push processing Kodak Tri-X 400 from EI 800 to EI 12800

Covering the results of experimenting with Kodak Tri-X 400, article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI...

Camera review: me and my Olympus 35 SP by Matt Parry

The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection. For around seven months it has been...

Push processing ILFORD HP5 PLUS from EI 800 to EI 6400

Hi! My name is Daniel and I live in Helsinki, Finland. I “rediscovered” film around 1.5 years ago (at the time of writing) and...

Every single film stock still made today – Part 1: ADOX...

Update 02: 2018-09-20 If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today....

Blind film review: Fuji Natura 1600, Kodak Portra 800 and Lomography...

At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting...

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter...

The Hasselblad 2000FCW was the third in the legendary Swedish company's family of 6x6 focal plane shutter cameras. If you want to be able to...

Camera review: Fuji GA645i – “The Portrait Machine” by Anil Mistry

In this piece, I will be reviewing the Fuji GA645i 6x4.5 medium format camera. It's my personal story on how I came to acquire...

Camera review: the RealitySoSubtle 6×12

I have been using digital cameras for the past 20 years. Like many of us, my love of photography began when I was a...