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Find all EMULSIVE reviews, covering films, cameras, bags and other film photography gear here.

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

The Unique Nikon Nikkor-Q 25CM f/4 for Bronica S2/S2A – by...

Most people will never see, hold, or use the Bronica S2A's Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton's authoritative Bronica S2A book "Bronica: The Early History and Definitive Collector's Guide" lists only five known copies.

Oly travel twins: The Olympus Trip 35 vs the Olympus XA2...

Both these little cameras get a lot of love and I think they deserve it.

The GOOSE: Reviewing the Polaroid 600SE

The 600SE was the crème de la creme of Polaroid cameras in its day.

The best medium format camera ever made – Mamiya 6 MF...

About a year and a half ago I finally bit the bullet and bought my very first medium format camera, a Mamiya 6 MF.

Color drama: Negative Lab Pro v2… Finding the right workflow for...

What if you had a scanning solution for color negative and black and white film that enabled you to scan and convert a whole roll of 35mm film in less than 15 minutes and all that in next to

Blind film review #02: CineStill 800T vs Kodak Portra 400 in...

This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.

Two out of three. A look at three bellows cameras from...

Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.

Why did it take me so long to start shooting Kodak...

There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most

How to save money with a Nikon Pre-AI camera system –...

The cost of manual-focus 35mm equipment increases to rise and Nikon gear is leading the pack.

Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50...

To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.

The Olympus XA review: how I fell in love with a...

...and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.

How to make a TEXPan: shoot wide-format 35mm film in the...

In this article, I'll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan).

Camera review: the Nikon FE 2 – by Mac MacDonald

Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography needs.

Film stock review: Kodak EKTACHROME E100 – shot at EI 100,...

Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 - one, two and three-stops of push processing. *1 The images below form part

Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200

The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.

The Hasselblad V-System master guide: Overview

The Hasselblad V-System Master Guide, a hub of in-depth articles and reviews intended to be an exhaustive resource for real, user-verified data on this classic film camera system. To the uninitiated, the V-System is a black box;

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