This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head. Both films utilise Kodak's VISION3 motion picture emulsion technology and have a vastly different look if social media is to be believed.
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online. Among these were three bellows cameras: an Agfa Record III, Voigtländer Perkeo I, Agfa Isolette.
Kodak Tri-X is usually at the top of most peoples list for films to work with, so when I recently loaded my first ever roll, three years after I started with film, it gave me pause for thought.
The cost of manual-focus 35mm equipment increases to rise and Nikon gear is leading the pack. Ten or fifteen years ago one could find Nikon F3s and FM2s in top shape for...
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process. And the choice is truly vast.
Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them. Just because.