Film camera Reviews

Sibling rivalry: Fujica GS645 & GS645S street photography shootout – by Michael C. Duke

The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but different enough that the cameras beg for comparison....which interestingly enough, is what this article is all about: a comparison of Fuji's two most well-known and loved

Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera – by David Hume

I bought my Zeiss Ikon Nettar 6x6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.

Camera review: the Rolleiflex SL66 – by Dave Varo

Mention 6x6cm medium format film cameras to a photographer and most will immediately think Hasselblad. Mention Rolleiflex to the same group and they will almost certainly think of the well-respected range of twin lens reflex (TLR) cameras.

The Hasselblad V-system master guide: C and C T* lenses

In this section of the Hasselblad V-system master guide, I'll be taking a look at the first two generations of Hasselblad lenses. If you're looking for lenses for your Hasselblad 500, 500CM 501 or 305 (whichever version), this is the place to start.

Camera review: Impossible I-1 – by Russell Jones-Davies

Up until the recent release of the One Step 2, the Impossible I-1 was the first new Polaroid camera in how long? From the reviews I read, it received a strange welcome into the world of instant photography.

Medium format first timer: Kodak 120 film and the Hasselblad 500C/M – by Rick Davy

I've wanted to get into the medium format aspect of photography for some time now but the timing aspect hasn't really been there if I'm honest, that was up until now. I've admired several medium format cameras from afar but