Author: EM
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EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
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EMULSIVE March 2019: month in review
March might seem like a distant memory as we go barrelling into May, so let this month in review be a reminder to you – at least as far as EMULSIVE is concerned.
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The best of #FP4party March 2019
It’s time for the shortlist for March 2019’s #FP4Party, the last one of the year.
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The Hypersensitive Podcast Episode 04: There’s cake in the fridge
As a bit of a make-up episode for the shambles that was a poorly considered “April Fools” joke, Hamish and I talk about bad April Fools Day jokes (naturally), responsibility, respect of creative ownership, trolling and burned shoulder of
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Discovering Dan K’s “THE LATENT IMAGE”: a unique one-off, one-time photo book
Some weeks ago I got a call from Dan K asking if I was interested in reviewing his new photo book, “The Latent Image”.
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The Hypersensitive Podcast Episode 03: Signal vs noise
This very special extended and-only-coincidentally-released-on-April-1st episode of the HPP features a little over an hour of insight and inspiration mostly driven by Bellamy over at Japan Camera Hunter. We talk about internet trolls, the value of clear photographic intent
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News: monopolistic movements in film photography podcasting
In a surprising turn of events, some of our community’s most well known and respected podcasts have taken the decision to merge into a single entity and are calling themselves the “Classic Film Negatives Sunny Lensless Studio Podcast” (CFNSLSP
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Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)
Office space Shot on Fuji NEOPAN 100 ACROS at EI 400 Black and white negative film in 35mm format Push processed 2 stops Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1 Development notes
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Not for legal use: Polaroid passport photos on wet plate collodion
Wet plate collodion doesn’t spring to mind as either the most practical or in fact, legal approach to creating passport photographs but that didn’t stop EMULSIVE interviewee #196 Markus Hofstaetter from giving it a shot. Markus isn’t a stranger
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#FP4party February 2019 winner announcement
Welcome to the community picked winners of February’s FP4Party.
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Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)
Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ) Shot on Kosmo Foto Mono 100 at EI 200 Black and white negative film in anamorphic 35mm format Push processed 1-stop Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra
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The Hypersensitive Podcast Episode 02: I can do that at home
We’ve reached the heady heights of our second official episode and this runaway holding tank* is showing no signs of stopping. Hamish and I talk about the MAYA darkroom timer, the redevelopment of the analogue photography hardware industry, my
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An update on the SP-8×10+ film development system
Testing is going well. Everyone who has tried the SP-8×10+ loves it. The biggest technical challenge: we’re still optimizing the hold-down tabs.
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Fujifilm: put down your pitchforks, it’s survival of the fittest
Update 2019-06-10:Fujifilm announces a return to black and white photographic film production with brand new NEOPAN 100 ACROS II, available Autumn 2019. The film photography community is once again up in arms about Fujifilm’s latest raft of price
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EMULSIVE February 2019: month in review
February was another busy month here on EMULSIVE.
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Photoset: On business in NYC with my Mamiya 645 1000s and Kodak Portra 400
I wrote this text at the end of spring in 2018, but for some reason, I postponed publishing it anywhere.
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No joke: 30%+ price increase on Fujifilm photographic film and paper from April 1st 2019
Update: Within hours of this announcement several online retailers and eBay sellers have increased their prices by up to 40% in anticipation of the April 1st change. Price gouging continues to thrive in 2019.
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Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)
Pads Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×9 Shot with #21 orange filter Read the Kodak AEROCHROME review
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
