Author: EM
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#FP4party January 2019 winner announcement and bonus bits
Greetings from EMULSIVE HQ and welcome to the winner announcement for FP4 Party 2019 plus bonus bits! Bonus bits? Well, yes.
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Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02 Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 4×5 large format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter Read the Kodak AEROCHROME review / Prints available here  
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Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Cup holder as standard Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6×9. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 20°C/68°F, 05:00
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UPDATED: NEW TETENAL taking over operations and production from insolvent parent company
UPDATE: English press release added An employee initiative in the form of a management buy out has offered to purchase all photochemical formulas, the Tetenal brand and the production facilities of its former employer starting April 1st 2019. It
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Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B
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EMULSIVE January 2019: month in review
Welcome to what was January 2019. It was (obviously) the beginning of the year but was anything other than a slow start.
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Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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New in: CineStill “just add water” powdered developers and new improved film
There’s some very exciting news coming out of CineStill today in the form of an announcement of new powdered film developing chemistry and manufacturing updates for all new film. As I’ve noted on social media and this website before
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EMULSIVE interview #196: I am Markus Hofstaetter and this is why I shoot film
It’s an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
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How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder
In this article, I’ll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan).
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Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Seeing spots Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3) 1 minute presoak, 30 seconds initial
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Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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The Hypersensitive Podcast Episode 01: Disposable income
The “0” before the “1” in the title anticipating a run into the double digits should strike fear in the hearts of everyone reading this.
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UPDATED: Tetenal Europe GmbH to reportedly cease trading after 172 years
UPDATE 02 15 Feb 2019: Management buy out has succeeded.
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Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6×9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B
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Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
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The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
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