EMULSIVE’s most popular film photographer interviews of 2018

It's day three of the second annual lazy post week here on EMULSIVE but as with 2017, there's nothing lazy about the folks featured...

EMULSIVE’s most popular film camera reviews of 2018

Merry Christmas to everyone celebrating today! It's time for the second of seven "Best Of 2018" articles, so if you're quite done stuffing your...

EMULSIVE’s most popular film photography posts of 2018

2017's end of year listicles seem like they went down pretty well, so I've decided to put my personal prejudice against them to one...

5 Frames With… Fujicolor 200 (EI 200 / 35mm / Nikon...

Fujicolor cross processes as a wonderful black & white film with great tonality and nice grain. The fact that it is dirt cheap doesn't...

Loss, PTSD and finding my father in the searchlights – Simon...

It all started with a conversation with my Dad in 2015. He was into sea kayaking and had come across the WWII searchlight emplacements at Nigg...

Photoset: Three strikes and you’re out or, a lesson in not...

The three strikes mentality is such a cliché these days. It’s now used as a yardstick for punishment. Whether baseball or criminal offenses. However,...

5 Frames With… Kodak Portra 400 (EI 400 / 35mm /...

Rustic fishing piers and floating docks, colorful fishing boats, and historic buildings are ideal subjects for film photography. I found all of these at...

EMULSIVE November 2018: month in review

Welcome to the month that was November 2018 here on EMULSIVE. I had a bit of a short circuit, resulting in 12 photo posts...

5 Frames With… Fuji 400 Superia (EI 200/ 35mm / Minolta...

I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon...

Photoset: Malcolm in Millennia – by Chris Mena

Over the summer of 2018 I had the opportunity to visit Cincinnati and experience the people of The Queen City. Carrying my Olympus OM-10...

How to build a simple Arduino shutter speed tester – by...

I've been stuck in my house filling orders for my Kickstarter campaign for the CAMERADACTYL 4x5 Field Camera, mostly just babysitting printers, changing filaments...

5 Frames With… Cinestill 800T (EI 500 / 120 / Minolta...

So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was...

EMULSIVE October 2018: month in review

Welcome to the 31 days, 24 articles and 23 Daily Photo posts that was October 2018 here on EMULSIVE In case you're wondering, November's...

5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm /...

Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my...

Creating the GX-Pan: a wide format cinematic Hasselblad

I’ve always been fascinated by the cinematic look of movies. One of the many factors that go into making a movie look “cinematic” is...

Ready to roll – Shot on Fuji Velvia 100 RVP100 at...

Ready to roll Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal film in 35mm format Cross processed Read the Fuji Velvia 100 (RVP 100) review...

5 Frames With… Fomapan 100 Classic (EI 25 / 120 /...

A few weeks ago I travelled to Con Dao island in Southern Vietnam - one of the very few destinations which are yet to...

Welcome to EMULSIVE v3

For readers without a long memory, the last major design update to EMULSIVE was way back in February 2016, just 7 short months after...

5 Frames With… Lomography Color Negative 400 (EI 400 / 120...

Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is...

My first time with slide film: new Kodak EKTACHROME E100

Most of the frames which make up this mini-review are from the first roll of slide film I ever shot or developed myself (using...