5 Frames With… Kodak T-MAX 400 (EI 400 / 35mm /...

Once every couple of months, I throw a film into my old Canon EOS5 (the Plastic Fantastic) and follow my daughter around for the...

Camera review: Pentax 67 – by Jeremy Dyson

It’s a beast, this Pentax. It weighs a ton and it’s hard to hang on to. It’s slow, has a terrible synch speed and...

The AgiPinFold Conversion part 2 – beta testing

Back in July, I walked you through the initial build for my Agipinfold, an Agifold 6×6 camera converted to pinhole. It's time for part...

5 Frames With… Lomography Color Negative 100 (EI 80 / 120...

I have been shooting Todd Schlemmer’s wonderful TerraPin OSKAR 6x9 pinhole camera since January. You can tell when you pick one of his cameras...

Featured project: the Obscura Darkroom – by Jen Zehner

In January 2019, I’ll be opening a public darkroom, Obscura Darkroom, in Newark, NJ. Located in the University Heights neighborhood, Obscura will provide open...

5 Frames With… ILFORD HP5 PLUS (EI 800 / 35mm /...

About a month and a half ago I dove in head-first into the world of film photography with a rocket strapped to my back....

How-to: Shoot a wedding on film… dos, don’ts and the beauty...

First things first, I am not a full time professional (or really even a part-time) wedding photographer. I did often have aspirations of becoming...

A brief history of… Kodak EKTACHROME film

Just as they managed to resurrect dinosaurs with DNA in Jurassic Park, Eastman Kodak and Kodak Alaris have pulled off the magical feat of...

5 Frames With… Bergger Pancro 400 (EI 400 / 120 /...

In 1956 I took my first photographs with an Agfa Box 6x9 camera from my mother and started to like and love taking photographs and making...

5 Frames With… Lomography Lomochrome Purple XR 100-400 (EI 200 /...

I have been eager to use Lomochrome Purple for some time now. I love the work of Richard Mosse using infrared colour film, and...

My black dog: depression and my photography – by Rob Davie

Please be aware that some subjects and depictions in this story may be uncomfortable reading. I make no apology for that, but please go...

Field notes: Kodak Professional T-MAX 400

Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film...

Dear Benice 8: Cinestill, an Eastern-only delight?

Dear Benice, If I'm not in a big city in Asia shooting Cinestill film, am I really doing something right? Gudni Thorinorinsson Slushland     Dear Gudni, Thank you for getting...

In conversation with: Photoreal, Brooklyn, New York

I’m fairly new to film. Actually, I should say I’m fairly new to photography in general. Earlier this year, I happened upon one of...

5 Frames With… Lomography LomoChrome Purple XR 100-400 (EI100-400 / 35mm...

My first film camera was the Nikon FE, I bought it off Kijiji (the Canadian version of Craigslist) with two lenses, flash and a...

5 Frames With… Kodak T-MAX 400 (35mm / EI 1600 /...

A few months ago, I started with analog photography. After a few weeks of using color rolls such as Fuji C200 or  Kodak ULTRA MAX...

Camera review: the Vermeer Anamorphic pinhole camera – no lens, lots...

Sometimes, when visiting websites or just browsing pinhole pictures, I would stumble upon strange images that were created with a Vermeer anamorphic camera from...

Book review: All about “All About Saul Leiter”

A while back, I made a bit of noise on EMULSIVE and via an email to the Sunny 16 Podcast about photographers talking more...

5 Frames With… 1945 expired AGFA ISOCHROM (EI 3 / 120...

Pinhole photography has a unique charm expressing a kind of slow-down photography for me in this fast moving modern digital world. In my work,...

5 Frames With… Kodak Portra 800 (35mm / EI 800 /...

I know EMULSIVE is running a Portraparty, but me being a grumpy old aged pensioner, I don’t have any social media accounts (although I...