The community-voted winner of January 2018’s #FP4party is here and we have a clear winner and two runners-up. I don’t want to prattle on as usual, so let’s get straight into it.

 

 

3rd place

fro-mo‏ – @fromotography

shadow of youth, granada 02/01/2017.

camera: #leica M3
lens: #canon LTM 50mm f/1.8
film: Ilford FP4 Plus in Ilfosol 3

#fp4party #filmphotography #photography

2018-01-15 - fro-mo
2018-01-15 – fro-mo

 

 

 

2nd place

calor_gas_terry‏ – @calor_gas_terry

Day1 #FP4Party, steel spiral staircase leading down to the vault at the Millennium Seed Bank at Wakehurst Place. OM2n 50f1.4, LC20 1+19

2018-01-15 - calor_gas_terry‏
2018-01-15 – calor_gas_terry‏

 

 

1st place

Sandy Phimester‏ – @SandyPhimester

Emily on @ILFORDPhoto 4×5 format FP4+

@FP4Party simply one of my favourite films of all time #fp4party

2018-01-18 - Sandy Phimester
2018-01-18 – Sandy Phimester

Here’s a little about the image from Sandy himself:

This was shot on my Speed Graphic with Kodak Aero Ektar lens. FP4+ at box speed. The model’s name we will say is Reau and the location is a beautiful old heritage house here in the city – 100+ years old, in Edmonton, Alberta.

Black and white is preferred for me in most cases, as I find it a little less distracting, just a personal thing I have in mind. If the lighting is going to be stronger, and lends itself to deeper contrast – AND I can shoot with slower film, then I always choose FP4+. It’s one of my all time favorite films in any format, but especially large format.

The rich, deep blacks and overall look of skin tones are what I find most pleasing, I just love the classic look of the film. For me it’s perfect.

As for the lens, it’s my favorite. All time. There’s a dreamy quality to how it renders a scene, it’s sharp enough wide open and has a very special look to the blurred out portion of the photo. That, combined with its extremely narrow depth of field make for a challenging but rewarding experience.

Working slowly, and carefully with large format and such a unique lens has really made my recent experiences with photography feel more…deliberate.

Before any photo is taken I spend the majority of my time looking through the back of the camera, evaluating the scene, light and overall composition. Once it comes to working with someone in the photo, I try to take my time and make sure what I’m doing is what I had in mind, or what I’ve set out to do. It’s often that I find myself spending ten minutes on a shot and then scrap the entire thing and move on to the next scene.

As ever a massive thanks to everyone for taking part! At the time of writing the shortlist for February’s final FP4party of 2018 is in progress and for the record, we’ll be taking a break for parties in March and back in April with something a little more…colourful.

~ EMULSIVE

 

 

Share your knowledge, story or project

The transfer of knowledge across the film photography community is the heart of EMULSIVE. You can add your support by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. Check out the submission guide here.

If you like what you're reading you can also help this passion project by heading over to the EMULSIVE Patreon page and contributing as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.

About the author

Avatar - EM

Founder, overlord, and editor-in-chief at EMULSIVE.org. I may be a benevolent gestalt entity but contrary to increasingly popular belief, I am not an AI.

, and please make sure you also check out their website here.

Join the Conversation

10 Comments

 

This site uses Akismet to reduce spam. Learn how your comment data is processed.