I was recently looking through my film archives and found a number of photographs shot on Kodak T-MAX 100.
Category: 5 Frames…
Exploring the beauty of film photography stocks, five frames at a time. Produced in conjunction with Hamish Gill over at 35mmc, find all EMULSIVE ‘5 Frames…’ articles here.
Submissions are open to all, and can include frames taken on rolls and sheets of film, wet/dry plates, and instant film. To get started, click the “Submit” link in the menu at the top of the page.
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5 Frames… With Ultrafine Red Dragon…de-redscaled (EI 320 / 35mm / Ricoh 35 ZF) -by James Cockroft
In preparation for #BIFScale17, I picked up 5 rolls of Ultrafine Red Dragon 100.
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 120 / 6×6 / Mamiya 6)
Two weeks ago the first significant signs of autumn became visually present in the Netherlands.
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5 Frames… With Silberra PAN50 (EI 50 / 35mm / Canon EF)
A few weeks ago I got sent a package from Silberra in Russia. If you haven’t heard of them yet, it’s no wonder.
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5 Frames… Avec la pellicule ILFORD HP5 Plus
Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque exclusivement des photos en noir et blanc, et la plupart du temps des photos de rue.
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5 Frames… With ILFORD HP5 Plus (EI 400 / 35mm / Leica M6 TTL)
My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white photographs almost exclusively, and most of the time work on street photography.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / 6×7 / Mamiya 7ii)
I’ve been using Kodak Portra for about 5 years but wanted something more.
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5 Frames… With ILFORD Delta 3200 Professional (EI 3200 / 120 / Mamiya 645 1000S)
ILFORD Delta 3200 Professional is my favorite black and white film.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / Rolleicord VB)
Kodak Ektar 100; it sounds so exotic and for me it delivers the kind of saturation that makes shooting colour film so fun, but without the reduced latitude that comes with shooting slide film.
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5 Frames… With Agfa Scala 200X (EI 200 / 35mm / Canon F1n)
My five frames were shot with a roll of expired 35mm Agfa Scala 200X at ISO 100.
The gear I used was a Canon F1n and a Canon 35mm f/2.8 FD lens and the film was developed in Kodak
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5 Frames… With Agfa Precisa CT 100 (EI 100 / 35mm format / Minolta X-700)
Having done a ‘5 Frames With’ from a camera point of view already for Hamish at 35mmc, so doing another one from a film point of view just had to be done.
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5 Frames… With Lomography Color Negative 100 (EI 100 / 120 format / Mamiya C220)
We have an annual ‘pilgrimage’ to the island of Lindisfarne off the coast of Northumberland in the UK and it’s a place that never disappoints.
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5 Frames… With Efke 50 (EI 50 / 35mm format / Edixa-Mat Reflex) -by Aislinn Chuahiock
Last year when my brother travelled to Vancouver, I gave him $200 to visit my favourite camera seller and told him, “Get me a camera, whatever the seller suggests, he knows me, he knows what I like.” My brother came
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5 Frames… With FERRANIA P30 ALPHA (EI 80 / 35mm / Olympus OM-1)
With great anticipation, I unpacked my order of 5 precious rolls of FERRANIA P30 ALPHA and ventured out to test this film.
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5 Frames… With Rollei Retro 80S (EI 80 / 35mm / Canon FTb)
These five photographs were shot with 35mm Rollei Retro 80s film using a Canon FTb and Canon 50mm f/1.4 lens. Retro 80s is an unusual film in a couple of ways.
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5 Frames… With Kodak Portra 160 (EI 80 / 120 format / Mamiya RB67)
I almost exclusively shoot on black and white film for the simple reason that I can develop and print it myself in the darkroom.
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5 Frames… With Rollei CR200 (EI 200 / 35mm / XPRO / Zeiss Ikon ZM)
This film has very few of the attributes we generally associate with color reversal films, namely: fine grain and beautifully balanced vibrant colors.
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5 Frames… With Lomography Lomochrome Purple XR 100-400 (EI 400 / 35mm / Nikon F6)
This was from my 2nd roll of Lomography’s new Lomochrome Purple XR 100-400. I had shot my first roll in Malta and liked what it could do with colours.
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5 Frames… With Kodak Portra 400 (EI 400 / 120 format / Hasselblad 2000FCW)
Hamish Gill, resident crackpot over at 35MMC.com recently sent out a call for submissions for a new series of articles over on Twitter.
