Category: 5 Frames…
-
5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Leica M6)
1990 was a good year. The world looked on as the Berlin Wall fell and Germany embraced reunification. I bought a Canon AE1.
-
5 Frames… With Kosmofoto Mono 100 (EI 100 / 35mm format / Pentax K2)
In November 2017 I signed up for EMULSIVE’s 2017 Secret Santa gift exchange. Luckily for me, my name was drawn for one of the super secret sponsor gifts, in addition to a Secret Santa match.
-
5 Frames… With Fujifilm Fujicolor Pro 160S (EI 100 / 120 format / Pentacon 6 TL)
Fuji Pro 160S, the newer NS version, or even the older NPS versions are among my favourite film stocks.
-
5 Frames… With Fujifilm Venus 800 (EI 800 / 35mm format / Nikon F6)
I had never heard of Fujifilm Venus 800 before just the normal Fujifilm Superia X-TRA 800. A bit of research confirmed that this was a different stock to the Superia.
-
5 Frames… With Kodak EKTACHROME 100 Plus EPP (EI 100 / XPRO / 120 format / Mamiya RB67 Professional)
When I first got back into film photography starting in 2009 I came down with a near fatal case of G.A.S.
-
5 Frames… With Expired Agfa Fibre Based Multi Contrast paper and the Ceramic Pinhole Camera
Having a Wife that is also a Ceramicist was handy the day I decided to build my own pinhole camera. What was not so handy was having ILFORD chemicals that were two years out of date and a box of
-
5 Frames… With Bergger Pancro 400 (EI 200 / 35mm format / Leica M2)
A lot has been written about Bergger Pancro 400 on this website, so this is me just adding my small bit to the general happiness people get from using this film.
-
5 Frames… With ILFORD XP2 Super (EI 400 / 120 format / Zeiss IKON Nettar)
I love ILFORD XP2 SUPER. It’s a film I have shot with extensively. It is a C-41 black and white film so not a ‘true’ black and white film.
-
5 Frames… With Lomography Earl Gray 100 (EI 100 / 35mm format / Nikon F3)
This is my first use of Lomography Earl Grey 100.
-
5 Frames… With Kodak Portra 400 (EI 400 / 120 format / Zero Image 2000 6×6)
These pictures were all captured with my Zero Image 2000 6×6 pinhole camera on Kodak Portra 400 film.
-
5 Frames… With Fujifilm Superia 200 (EI 200 / 35mm format / Olympus Stylus)
On the 24th of May, 2017, I knew I had exactly one month before I leave the city of Istanbul for good.
-
5 Frames… With Fuji Superia 100 (EI 100 / 120 format / Great Wall DF-5)
I realize after deciding to contribute to EM and Hamish’s #5FramesWith… series that I made things especially difficult for myself by immediately gravitating towards medium format cameras and 120 film – thereby limiting myself to a maximum of 16 exposures
-
5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Olympus OM-2S) -by Tim Dobbs
My favourite colour negative film is Fuji Reala 100 which was discontinued quite a few years ago (thanks a lot Fuji).
-
5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon EOS 30V Date)
With the exception of an Olympus Trip, I sold all of my 35mm camera equipment at the beginning of 2017. This was a decision I have regretted since.
-
5 Frames… Withergger Pancro 400 (EI 1600 / 35mm format / Canon EOS 50)
I have a friend who is a ‘proper’ photographer.
-
EMULSIVE's most popular #5FramesWith articles of 2017
Earlier this year I started a new series of articles with Hamish over at 35mmc.
-
5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Nikon F50)
When in doubt, reach for ILFORD HP5 PLUS. This has been my film photography rule the last little while.
-
5 Frames… With Fuji Superia X-TRA 400 (EI 400 / 35mm format / Nikon F100)
When I returned to film a couple of years ago I shot black and white films and had them professionally processed.
-
5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Pentax MV-1)
EMULSIVE: a quick editor’s note. This isn’t Fuji Velvia 50 (RVP 50), it’s the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.
-
5 Frames… With Lomography Color Negative 800 (EI 800 / 35mm format / Olympus XA)
“High ISO color negative films are rare and expensive, period.” That’s what I saved in my mind for years, and then used to skip the wish to shoot that gold dust – except for special events like the Berlin Light