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Tag: Zenza Bronica
In early June it was one of my best friend's 30th birthday. As part of the weekend's celebrations, I was invited to...
Most people will never see, hold, or use the Bronica S2A's Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton's authoritative Bronica S2A book "Bronica: The Early History and Definitive Collector's Guide" lists only five known copies.
"What on earth had I been thinking?" This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.
Welcome to a fresh instalment of my "...this is why I shoot film" series!
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
Merry Christmas to everyone celebrating today!
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn't joking, it was anything but orthodox.
Today I'm going to be talking a little about my Bronica ETRSi kit, a camera I came to after my first proper step into film photography with a Bronica ETRC (I discount my Holga for obvious reasons, although I had
Over the past couple of summers I've been experimenting a bit with infrared photography. I've always been intrigued by the alienating look that infrared images can give you.
Ladies and gentlemen, welcome! I've been waiting for today's interviewee for a while (mostly my fault). Now he's here, I'm going to zip it and hand over to him.
Hello again, it’s The 6 Million P Man here back after my review of the Yashica-D with another offering from my (not quite extensive but close enough) camera collection, another delight of the medium format variety, the Zenza Bronica S2A.
Even if you have a short memory, you'll remember today's interviewee from their guest post on experimental development with mouthwash, orange juice and a whole bunch of other household goods;
Finally! That's all I'm going to say about today's interview.
Before you scroll on, please be aware that today's interview is decidedly Not Safe For Work. Just in case you need some space, the interview starts below. Scroll down when you're ready. I'm sitting down with Scott D
If you believe when today's photographer says he's only been shooting film for the past four or five years, you're in the minority.
We grabbed some time to bring you the thoughts and images of Seth Harwood, South Dakotan and night shooter extraordinaire. There's plenty of stunning work for you to absorb below, so without further ado, it's over to Seth.
Grab a tall drink and make yourself comfortable. It's time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I've ever been lucky enough to see - this
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