Voigtlander

My Voigtlander Vito, Tobias Eriksson

5 Frames… Of unperforated Agfa ASP 400S with a Voigtlander Vito (EI 400 / 35mm Format) – by Tobias Eriksson

I have always been fascinated with panorama photos. With a background in filmmaking, there are of course many examples of exciting compositions in the wide …

Read more5 Frames… Of unperforated Agfa ASP 400S with a Voigtlander Vito (EI 400 / 35mm Format) – by Tobias Eriksson

Vigtlander Vito B - Ivan Palli

5 Frames… Of Winter in Northern Italy on Film Washi A (EI 12 / 35mm Format / Voigtlander Vito B) – by Ivan B. Palli

Now that we find ourselves on this sort of late hibernation caused by the coronavirus pandemic, I thought it was a good time to put …

Read more5 Frames… Of Winter in Northern Italy on Film Washi A (EI 12 / 35mm Format / Voigtlander Vito B) – by Ivan B. Palli

Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at …

Read moreLearning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

VOIGTLÄNDER VITO CL

5 Frames… With Revolog 600nm (EI 200 / 35mm format / Voigtländer Vito CL) – by Wendy Chapman

I am American living in England. Twice a year I return to my home in Wisconsin and stay at the family farmhouse my siblings and …

Read more5 Frames… With Revolog 600nm (EI 200 / 35mm format / Voigtländer Vito CL) – by Wendy Chapman

Camera review: 14 years with the invisible Nikon FM3a

Camera review: 14 years with the “invisible” Nikon FM3a

In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a Fed-3 and an …

Read moreCamera review: 14 years with the “invisible” Nikon FM3a

5 Frames With... ILFORD HP5 PLUS (35mm / EI 400 / Voigtlander Bessa R4A) - by Tristan Stuart

5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Voigtlander Bessa R4A) – by Tristan Stuart

This project isn’t the most conceptually rich, but it certainly is full of life. I recently purchased a Voigtlander Bessa R4A and immediately headed down …

Read more5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Voigtlander Bessa R4A) – by Tristan Stuart

5 Frames With... Kosmo Foto Mono 100 (35mm / EI 100 / Leica M4) - by Eman Kece

5 Frames… With KosmoFoto Mono 100 (EI 100 / 35mm format / Leica M4) – by Eman Kece

I discovered this location – Dakota Crescent – whilst riding to my usual skate spots. It is one of Singapore’s oldest estates built in circa …

Read more5 Frames… With KosmoFoto Mono 100 (EI 100 / 35mm format / Leica M4) – by Eman Kece

Cover - Two out of three... A look at three bellows cameras from the 1950s: Agfa Record III, Voigtländer Perkeo I, and Agfa Isolette

Two out of three. A look at three bellows cameras from the 1950s: Agfa Record III, Voigtländer Perkeo I, and Agfa Isolette

Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.

Biarzo, Italy, 2016 - Kodak T-MAX 400, Contax G2

Interview #194: I am Ezequiel Grimaldi and this is why I shoot film

I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.

I’ll keep this short so you can spend as much time as possible on the images below.

Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Framed

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

Up and to the right - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

The moon and the mountains - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

The moon and the mountains

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

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Shanghai, 2017. Shot on Voigtlander Vito II, ILFORD HP5 PLUS

EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film

January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.

ILFORD Pan F+ - Olympus Pen S - Erik Gould

5 Frames… With ILFORD PAN F PLUS ( EI 50 / 35mm format / Olympus Pen S) – by Erik Gould

Thanks EM for being open to stretching the five frames concept for me.
These pictures were made on ILFORD PAN F+ film in an Olympus Pen S half frame camera. This camera is non-metered, fully manual and scale focusing.

Apples and pears - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 Voigtlander 21mm f/4.

Photography: Apples and pears – Shot on Fuji Provia 100F RDP III – 35mm

Apples and pears
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
 

 
 

 
 

Two sides - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 Voigtlander 21mm f/4.

Photography: Two sides – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)

Two sides
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.