This week’s interviewee has been shooting film for a little over a year at the time of writing.
Tag: Voigtlander
Posted in35mm format, Darkroom printing, Photography
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Posted in35mm format, Darkroom printing, Photography
Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Posted in35mm format, Photography
Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Posted inArticles, Travelogue
Travelogue: Hong Kong
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
Posted inA&K film camera reviews, Film camera reviews, Voigtlander film camera reviews
Double review: Voigtlander Vito B & Apparate & Kamerabau Akarette II
This review consists of a comparison between my experience of using two seemingly very similar cameras, the Apparate &
Posted in5 Frames..., Articles
5 Frames… With ILFORD PAN F PLUS ( EI 50 / 35mm format / Olympus Pen S)
Thanks EM for being open to stretching the five frames concept for me.
These pictures were made on ILFORD PAN F+ film in an Olympus Pen S half frame camera. This camera is non-metered, fully manual and scale focusing.
Posted in35mm format, Photography
Photography: Apples and pears – Shot on Fuji Provia 100F RDP III – 35mm
Apples and pears
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Posted in35mm format, Photography
Photography: Two sides – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Two sides
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Posted in35mm format, Photography
Photography: Auto sprinkler – Shot on Fuji Provia 100F RDP III – 35mm
Auto sprinkler
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Posted in35mm format, Photography
Photography: Cashed out – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Cashed out
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Posted in35mm format, Photography
Photography: Royalty – Shot on Fuji Provia 100F RDP III – 35mm
Royalty
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Posted in35mm format, Photography
Photography: Madison river bend – Shot on Agfa Precisa CT 100 (35mm)
Madison river bend
Shot on Agfa Precisa CT 100 at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #141: I am Phil Harrison and this is why I shoot film
Readers with even the shortest of memories will remember today’s interviewee from his guest review of FILM Ferrania’s FERRANIA P30® emulsion back in April.
Posted in35mm format, Photography
Photography: Road hogs – Agfa Precisa CT 100 (35mm)
Road hogs
Agfa Precisa CT 100 shot at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #130: I am Dave Bias and this is why I shoot film
Today’s interview is a bit of a treat, as well as a precursor for things to come.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #94: I am R E Hengsterman and this is why I shoot film
We’re lucky to have perpetual film photographer R E Hengsterman with us today – you can call him Rob if you’re nice.
Rob has a lot to say…a LOT to say, so grab a cup of coffee or cold jug
Posted inArticles, Opinion
Moment of impact: don’t kill yourself to take a photograph
One Saturday in mid-October 2015 I decided to take a walk over to my preferred film lab and put some freshly developed black and white negatives in for scanning.
