Tag: Voigtlander
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EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film
This week’s interviewee has been shooting film for a little over a year at the time of writing.
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Travelogue: Hong Kong
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
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EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
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Double review: Voigtlander Vito B & Apparate & Kamerabau Akarette II
This review consists of a comparison between my experience of using two seemingly very similar cameras, the Apparate &
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5 Frames… With ILFORD PAN F PLUS ( EI 50 / 35mm format / Olympus Pen S)
Thanks EM for being open to stretching the five frames concept for me. These pictures were made on ILFORD PAN F+ film in an Olympus Pen S half frame camera. This camera is non-metered, fully manual and scale focusing.
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EMULSIVE interview #141: I am Phil Harrison and this is why I shoot film
Readers with even the shortest of memories will remember today’s interviewee from his guest review of FILM Ferrania’s FERRANIA P30® emulsion back in April.
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EMULSIVE interview #130: I am Dave Bias and this is why I shoot film
Today’s interview is a bit of a treat, as well as a precursor for things to come.
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EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
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EMULSIVE interview #94: I am R E Hengsterman and this is why I shoot film
We’re lucky to have perpetual film photographer R E Hengsterman with us today – you can call him Rob if you’re nice. Rob has a lot to say…a LOT to say, so grab a cup of coffee or cold jug
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Moment of impact: don’t kill yourself to take a photograph
One Saturday in mid-October 2015 I decided to take a walk over to my preferred film lab and put some freshly developed black and white negatives in for scanning.