I had used film from the late 1950s right up to the digital revolution when I was seduced by what the new cameras could do. As DSLR cameras improved (I now have a Nikon D850) there were few practical reasons for working with the older technology. But what does practicality have to do with anything? […]
For a photographer, there is nothing quite like the experience of looking onto the focus screen of a TLR or other medium format, primarily waist-level viewfinder cameras such as Hasselblads, Bronicas or Mamiya RB67s.
Let me tell you about my adventures with my new Baby Rolleiflex 4×4 (technically speaking, the “Automatic Rolleiflex 4×4”) and Rollei Nightbird, ReraPan (and ReraChrome), AND Kodak Portra 160NC film… The adventure started way back in 2016 when I saw the Vivian Maier documentary and was just starting out with film. I really wanted a […]
I’ve been fascinated with Twin Lens Reflex (TLR) cameras ever since I can remember, and even before I knew what a TLR was — I just knew them as these beautiful, quirky little photograph-taking boxes that appeared in the hands of famous and not-so-famous people dressed in 1950s and 60s attire. They had appeal, they […]
The Twin Lens Reflex (TLR) is a camera design over 130 years old and it’s almost a hundred years since its now-familiar appearance first was brought to the mass market by Franke & Heidecke and subsequently, so widely and successfully copied. It is a “just right” Goldilocks camera if ever there was one. I am not […]
Let’s start with the elephant in the room – this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the “Rolleiflex 2.8GX Expression 75 years edition”.
After my first encounters with the Rolleicord 1a – 2 – Model K3 a friend had given me as a present, I decided to take a closer look at this piece of fine engineering.
“You can have it for £40, but the meter’s broken, so it’s sold as seen.
As a 6×6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up from 35mm to medium format film.
The Mamiya C220 Professional TLR is an engineering marvel and I haven’t found anything about it that I don’t like.
Hi everybody, my name is Ed Worthington, although I go by my pseudonym of “The 6 Million P Man” when it comes to anything photographic*.
I’ve been shooting film for a little over three years now and sharing the images
Diane Arbus, Vivian Maier, Imogen Cunningham, Fritz Henle and Richard Avedon all shot with a Rollei.