SLR Camera
The best (and worst) film cameras of the 1990s
My take on the 10 "best" film cameras released during the 1990s. It’s not a countdown in the traditional sense and "best"...well...
GAS and the “wrong” camera: Skateboarders with the Pentax 6×7 in Singapore
I suffer from GAS: Gear Acquisition Syndrome. Even as I write this I have a painfully expensive Mamiya 6 on its way...
A complete guide to the Mamiya RZ67, part five: conclusion and personal stories
This five-part review has taken the best part of three years to complete. At over 40,000 words, I admit that it is...
The mighty Salyut-S; Or how I learned to love a Hasselbladski
While there were a number of different models made - see below - the Soviet copy of Hasselblad's 1600F modular camera is...
A complete guide to the Mamiya RZ67, part four: maintenance and miscellaneous accessories
Over the past three weeks, I have introduced you to the Mamiya RZ67 Professional camera, its series of film holders and the...
Camera review: 14 years with the “invisible” Nikon FM3a
In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a...
A complete guide to the Mamiya RZ67, part three: lenses, filters and accessories
Welcome back to part three of this guide. We've already covered a deep overview of the Mamiya RZ67 Professional system as well...
A complete guide to the Mamiya RZ67, part two: film holder system
Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one...
A complete guide to the Mamiya RZ67 Pro: part one – deep system overview
The Mamiya RZ67 is very interesting and in many ways, an unusual camera. It's not very easy to operate and a little...
Choosing a 35mm film SLR? A quick look at six (vintage?) film camera manufacturers…
Since the publication of my original book, "Nikon Film Cameras, Which one is right for you?", I’ve acquired a number of additional...
Camera review: the Contax S2, “Simple is Best” – by Tom Sebastiano
Two years ago at a tram stop in Antwerp, I misstepped on the pavement's edge and fell over. It was a bit...
The Bronica ETR: 40 years old but not an old dog – by Nelson Mercier
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
My first Impressions with the Bronica ETRSi
I was recently tempted to get into medium format more seriously and began around looking for the camera that would allow me to do so.
Camera review: The Pentacon Six TL, a (hopefully) comprehensive guide to a legend – by Ludwig Hagelstein
The Pentacon Six TL is a phenomenon of a camera.
The Nikon F2: an everyday camera for the 21st Century
The F2 was Nikon's mechanical, manual flagship camera of the 1970s.
Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
How to save money with a Nikon Pre-AI camera system – by Brian Grossman
The cost of manual-focus 35mm equipment increases to rise and Nikon gear is leading the pack.
Camera review: Minolta AF-Tele Super – by Tom Perry
It was always going to come to this point. With compact cameras that sport prime lenses, even though the image quality is as it should be, the photographer is limited to a single set focal length.
Camera review: Satisfying a 37 year dream… My first Nikon F3
I remember the Nikon F3 being expensive when it first came out in 1980. At the time, a new Nikon F3 with a 50mm lens cost about US$1,175 - that's about US$3,500 adjusted for inflation.
