I had been meaning to get into the medium format 6×7 game for a while and I finally bought the Pentax 67 (the “middle” version before the 67II) at an auction. For a long time, it was my go-to medium format camera. We had a real love-hate relationship. I loved the 105mm lens and hated, […]
Tag: SLR Camera
Posted inFilm camera reviews
Norita 66 system review: Pleasure and pain from my need for speed
Hello. My name is Aivaras and I am a bokeh junkie. I got into film photography mostly because of my ability to play with limited depth of field and I still can’t let it go. However, there are minor signs of remission; I already managed to understand that in the 35mm film world at least, […]
Posted inLeica film camera reviews
Leica R6 Review; Like recommending an Aston Martin
The secret behind Leica’s R series is that their optical formulas for their SLR lenses are the same as their famous M mount lenses. A 50mm f/2 Summicron is made by the same people, with the same materials, in the same factories whether it is on an M6 or an R6. The R counterparts go […]
Posted inFeatured, Film camera reviews, Reviews
The best (and worst) film cameras of the 1990s
My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…
Posted inPentax film camera reviews
GAS and the “wrong” camera: Skateboarders with the Pentax 6×7 in Singapore
I suffer from GAS: Gear Acquisition Syndrome. Even as I write this I have a painfully expensive Mamiya 6 on its way from Japan because I just had to have a medium format camera that’s light and easy to carry. You know, because my 35mm cameras are great, but what if I find myself in […]
Posted inMamiya film camera reviews
A complete guide to the Mamiya RZ67, part five: conclusion and personal stories
This five-part review has taken the best part of three years to complete. At over 40,000 words, I admit that it is quite long (!) but I wanted it to be as detailed and as precise as possible. To the best of my knowledge, no book has ever been written about the Mamiya RZ67 Professional, […]
Posted inKiev film camera reviews
The mighty Salyut-S; Or how I learned to love a Hasselbladski
While there were a number of different models made – see below – the Soviet copy of Hasselblad’s 1600F modular camera is commonly known as a Kiev, which was both a model name and a reference to it’s place of manufacture, The Arsenal, or more correctly, the Arsenal State Enterprise of Special Instrumentation in Kiev […]
Posted inMamiya film camera reviews
A complete guide to the Mamiya RZ67, part four: maintenance and miscellaneous accessories
Over the past three weeks, I have introduced you to the Mamiya RZ67 Professional camera, its series of film holders and the extensive lens system. In this, part four of the series, I will introduce you to the main system accessories and some basic maintenance/troubleshooting concepts. The neck strap After purchasing my RZ, the first […]
Posted inNikon film camera reviews
Camera review: 14 years with the “invisible” Nikon FM3a
In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a Fed-3 and an old Mamiya 35mm), I bought a like-new Nikon FM3A for $429 USD on eBay. Since then it has shot hundreds (if not thousands) of rolls of film, and has accompanied […]
Posted inMamiya film camera reviews
A complete guide to the Mamiya RZ67, part three: lenses, filters and accessories
Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be covering the lenses. If you’ve read the previous two parts, you’ll know that I’m a huge fan of the […]
Posted inMamiya film camera reviews
A complete guide to the Mamiya RZ67, part two: film holder system
Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one I gave you a deep overview of the RZ67 system; its history, breadth, basic steps to taking your first photograph, focusing and use cases. Part two dives deep into the RZ’s revolving back, […]
Posted inMamiya film camera reviews
A complete guide to the Mamiya RZ67 Pro: part one – deep system overview
The Mamiya RZ67 is very interesting and in many ways, an unusual camera. It’s not very easy to operate and a little bit slow if you’re not used to it, so it’s maybe not a camera for everybody. It’s also huge and a bit heavy and was primarily created for studio work and landscapes for […]
Posted inFilm camera reviews
Choosing a 35mm film SLR? A quick look at six (vintage?) film camera manufacturers…
Since the publication of my original book, “Nikon Film Cameras, Which one is right for you?”, I’ve acquired a number of additional cameras and lenses which I describe and evaluate from personal experience in the newly released second edition, which recently went live on Amazon. In addition to the extra hardware, I tracked the prices […]
Posted inCONTAX film camera reviews, Film camera reviews, Reviews
Camera review: the Contax S2, “Simple is Best”
Two years ago at a tram stop in Antwerp, I misstepped on the pavement’s edge and fell over. It was a bit embarrassing and it wasn’t helped by my own wife and daughter doubled up with laughter at my expense. “Why didn’t you put your hands out to break your fall?”, they asked. To them, […]
Posted inBronica film camera reviews, Film camera reviews, Reviews
The Bronica ETR: 40 years old but not an old dog
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…
Posted inCONTAX film camera reviews
An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…
Posted inBronica film camera reviews
My first Impressions with the Bronica ETRSi
I was recently tempted to get into medium format more seriously and began around looking for the camera that would allow me to do so.
Posted inFilm camera reviews, Pentacon film camera reviews
Camera review: The Pentacon Six TL, a (hopefully) comprehensive guide to a legend
The Pentacon Six TL is a phenomenon of a camera.
Posted inNikon film camera reviews
The Nikon F2: an everyday camera for the 21st Century
The F2 was Nikon’s mechanical, manual flagship camera of the 1970s.
Posted inMamiya film camera reviews
Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
