Tag: Rollei
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EMULSIVE's most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017. First up, time to take
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5 Frames… With Rollei Infrared 400 (EI 12 / 120 format / Bronica SQ)
Over the past couple of summers I’ve been experimenting a bit with infrared photography. I’ve always been intrigued by the alienating look that infrared images can give you.
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Thoughts: The life of a film camera; and all the lives it’s part of
This article isn’t on photography per se, it’s about cameras, it’s about our cameras.
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Film review: Rollei Vario Chrome color slide film in 35mm format
It’s time to lift the veil on my thoughts about Rollei Vario Chrome, a “new” slide film officially announced in June 2017 and available in 36 exposure 35mm cassettes*1.
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Film Comparison: Bergger Pancro 400, JCH Streetpan 400 and Rollei RPX 400
The past 15 years or so have not been easy for film photographers: Most photo labs have closed their doors, major brands no longer manufacture analog cameras, and the few remaining repair shops are all but out of parts. The
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Interview #158: I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / Rolleicord VB)
Kodak Ektar 100; it sounds so exotic and for me it delivers the kind of saturation that makes shooting colour film so fun, but without the reduced latitude that comes with shooting slide film.
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EMULSIVE interview #155: I am Dan Dao and this is why I shoot film
Today’s interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.
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5 Frames… With Rollei Retro 80S (EI 80 / 35mm / Canon FTb)
These five photographs were shot with 35mm Rollei Retro 80s film using a Canon FTb and Canon 50mm f/1.4 lens. Retro 80s is an unusual film in a couple of ways.
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5 Frames… With Rollei CR200 (EI 200 / 35mm / XPRO / Zeiss Ikon ZM)
This film has very few of the attributes we generally associate with color reversal films, namely: fine grain and beautifully balanced vibrant colors.
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Film stock review: Rollei Infrared 400
I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry.
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Photography: To the light – Rollei INFRARED 400 (4×5)
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: Hand-stitched quality – Rollei Retro 80S (120)
Hand-stitched quality Shot on Rollei Retro 80S at EI 80 Black and white negative film in 120 format shot as 6×6
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Photography: Three cats #01 + #02 – Rollei Vario Chrome (35mm)
Three cats #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox.
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Photography: Dried veins #01 + #02 – Rollei Vario Chrome (35mm)
Dried veins #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox.
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EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.