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Tag: Rollei Infrared 400
On a recent trip to the French Alps I decided to try and shoot some infrared-sensitive film for the first time. I...
I have always found the look of black and white infrared photographs intriguing and really wanted to try it myself.
It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?
Monobath film developers feel like the in thing for 2018.
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4x5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
Update 02: 2018-09-20 Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Ok, so as photography how-to's go, this one is as simple as they come.
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
Earlier this year I started a new series of articles with Hamish over at 35mmc.
Party's over Shot on Rollei Infrared 400 at EI 400 Black and white infrared film in 120 format shot as 6x6 No filter Read the Rollei Infrared 400 review
In the time honoured tradition of lazy posting at the end of each year, here's the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017. First up, time to take
Over the past couple of summers I've been experimenting a bit with infrared photography. I've always been intrigued by the alienating look that infrared images can give you.
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4x5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4x5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4x5 format Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f/4.5
I'm happy to finally bring you an interview with the mind behind black and white Instax photography before there was Instax Mini Monochrome!
I'm bored. Photographically, that pretty much sums up the past few months for me. Yes I know it's probably not best to start off this update post with a lamenting and needy statement but there it is.
Today we're sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright. Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.
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