Rollei Infrared 400

Leica M3 + Elmar 50mm f:2.8 + Heliopan RG715 (88A)

5 Frames… Of portraits and landscapes on Rollei Infrared 400 (EI 12 / 35mm format / Leica M3) – by Alessio Mola

I have always been fascinated by infrared photography. This idea to make visible that part of the light spectrum which is invisible (to our eyes) …

Read more5 Frames… Of portraits and landscapes on Rollei Infrared 400 (EI 12 / 35mm format / Leica M3) – by Alessio Mola

EMULSIVE's most popular film stock reviews of 2019

EMULSIVE’s most popular film stock reviews of 2019

There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …

Read moreEMULSIVE’s most popular film stock reviews of 2019

5 Frames With… Rollei Infrared 400 (120 / EI25 w/R72 filter / Fuji GSW690III) - by Captain Badbeard

5 Frames… Of the French Alps on Rollei Infrared 400 (EI 25 / 120 format / Fujifilm GSW690III Professional) – by Captain Badbeard

On a recent trip to the French Alps I decided to try and shoot some infrared-sensitive film for the first time. I live in Central …

Read more5 Frames… Of the French Alps on Rollei Infrared 400 (EI 25 / 120 format / Fujifilm GSW690III Professional) – by Captain Badbeard

EMULSIVE's most popular film stock reviews of 2018

EMULSIVE’s most popular film stock reviews of 2018

It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.

Ready?

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018.

The left of right - Shot on Rollei Infrared 400 at EI 400. Black and white negative film in 4x5 format. Graflex Speed Graphic, Graflex Optar 135mm f/4.7. Developed in Cinestill Df96 monobath.

Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)

The left of right

Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath

 

Every single film stock still made today – Part 5: Oriental to Rollei (v3)

Update 02: 2018-09-20

Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Party's over - Shot on Rollei Infrared 400 at EI 400 - Black and white infrared film in 120 format shot as 6x6 - No filter

Party’s over – Shot on Rollei Infrared 400 at EI 400 (120 format)

Party’s over
Shot on Rollei Infrared 400 at EI 400
Black and white infrared film in 120 format shot as 6×6
No filter
Read the Rollei Infrared 400 review
 

 
 

 
 

Cover - Most popular photography posts 2017

EMULSIVE's most popular film photography posts of 2017

In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017.
First up, time to take

To the light - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: To the light – Rollei INFRARED 400 (4×5)

To the light

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

 

 

 

 

 

Bunched up - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)

Bunched up

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

 

 

 

 

 

Bodie Infrared - Rollei Infrared 400 shot at EI 6. Black and white infrared negative film in 4x5 format. Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f:4.5

Photography: Bodie Infrared – Rollei Infrared 400 (4×5)

Bodie infrared

Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4×5 format
Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5

 

 

 

Dublin - Fuji Mini 90 Classic - Filmisnotdead - Instax Mini color film

EMULSIVE interview #125: I am whatsbehindthat and this is why I shoot film

I’m happy to finally bring you an interview with the mind behind black and white Instax photography before there was Instax Mini Monochrome!