I have always been fascinated by infrared photography. This idea to make visible that part of the light spectrum which is invisible (to our eyes) …
There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …
On a recent trip to the French Alps I decided to try and shoot some infrared-sensitive film for the first time. I live in Central …
I have always found the look of black and white infrared photographs intriguing and really wanted to try it myself.
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.
Ready?
Monobath film developers feel like the in thing for 2018.
The left of right
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath
Update 02: 2018-09-20
Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Ok, so as photography how-to’s go, this one is as simple as they come.
Street rider
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 35mm format
Earlier this year I started a new series of articles with Hamish over at 35mmc.
Party’s over
Shot on Rollei Infrared 400 at EI 400
Black and white infrared film in 120 format shot as 6×6
No filter
Read the Rollei Infrared 400 review
In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017.
First up, time to take
Over the past couple of summers I’ve been experimenting a bit with infrared photography. I’ve always been intrigued by the alienating look that infrared images can give you.
I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry.
To the light
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Bunched up
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Bodie infrared
Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4×5 format
Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
I’m happy to finally bring you an interview with the mind behind black and white Instax photography before there was Instax Mini Monochrome!
