Tag: Pushing Film
-
Photography: Exit-Entrance – Kodak Portra 400
Kodak Portra 400 shot at ISO800 Color negative film in 120 format shot as 6×6 Push processed two stops
-
Photography: Feeling drained – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Feeling drained Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: Nuts to it all – Rollei RPX400
Rollei RPX400 shot at ISO800 Black and white negative film in 120 format shot as 6×6 Push processed one stop
-
Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
-
Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)
Two-tone Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops. Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.
-
Photography: Flotsam mooring – Kodak T400CN
Flotsam mooring Kodak T400CN shot at EI 200 Black and white negative in 120 format shot as 6×6 Overexposed one stop
-
Photography: Alley 35 – Ilford Delta 400 Professional
Alley 35 Ilford Delta 400 Professional shot at EI 12800 Black and white negative film in 120 format shot at 6×6 Push processed 5-stops
-
Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)
Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5-stops
-
Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
-
Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process
-
Photoset #01: Kodak Ektar 100 – +1-stop push with +1 over development
As regular readers will know, I’ve been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I’ve been lucky enough to swap over 150 rolls (and reels) of
-
Photography: Art – Fuji Provia 100F RDPIII XPRO (120)
Art Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Pushed one stop and cross processed Read the Fuji Provia 100F (RDP III) review here.  
-
Photography: Dreaming – Shot on Fuji Provia 100F RDPIII at EI 200 (120 format)
Dreaming Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processes, push processed one stop Read the Fuji Provia 100F (RDP III) review here.  
-
Photography: Two-tone – Kodak EKTACHROME 100VS – E100VS (120)
Two-tone Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Push processed one-stop and cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
-
Photography: Pick-me-up – Shot on ILFORD DELTA PROFESSIONAL 400 (120 format)
Pick-me-up ILFORD DELTA PROFESSIONAL 400 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed two stops
-
Photography: Cafe culture – Shot on Ilford Delta 400 Professional (120)
Cafe culture Shot on ILFORD Delta 400 Professional at EI 1600 Black and white negative in 120 format shot as 6×6 Push processed two stops
-
Photography: Slumbering – Fuji Velvia 100 RVP100 (120)
Slumbering Fuji Velvia 100 shot at ISO200 Color reversal (slide) film in 120 format Push processed one stop
-
Photography: Cracking up – Shot on Kodak Portra 400 at EI 1600 (120 format)
Cracking up Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×4.5 Push processed two stops
-
Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
-
Photography: Luck of the damned – Fuji Acros 100 (120)
Luck of the damned Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format as 6×6 Push processed 2 stops
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
