Tag: Pushing Film
-
Photography: Into the distance – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Into the distance Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
-
Photography: Resurfaced – Shot on Kodak Tri-X 400 at EI 3200 (35mm)
Resurfaced Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: Look but don’t touch – Fuji Pro 160NS (120)
2016-06-13 – Look but don’t touch Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6×6 Push processed three stops
-
Photography: Number 32 – Kodak Portra 400
2016-06-09 – Number 32 Kodak Portra 400 shot at EI 800. Color negative film in 120 format shot as 6×6. Push processed two stops.
-
Photography: Standing guard – Fuji Pro 160NS
2016-06-08 – Standing guard Fuji Pro 160NS shot at EI 400. Color negative film in 120 format shot as 6×6. Push processed two stops.
-
Photography: Elbow grease – Kodak T-MAX 100 (120)
2016-05-19 – Elbow grease Kodak T-MAX 100 shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 3 stops
-
Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
-
Photography: STP – Shanghai GP3 100
Shanghai GP3 100 shot at EI 200 Black and white negative film in 120 format shot as 6×6
-
Photography: Air roots #02 – Shanghai GP3 100 (120)
Air roots #02 Shanghai GP3 100 shot at EI 200 Black and white negative film in 120 format shot as 6×6
-
Photography: Containment breach – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Containment breach Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: Pineapple light study #02 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
-
Photography: Pineapple light study #01 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
-
Photography: Out for a stroll – shot on ILFORD FP4 PLUS at EI 800 (120 format)
Out for a stroll Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
-
Photography: Have it your way – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Have it your way Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the
-
Photography: R&R – Shot on Fuji Provia 100F – RDP III (120 format)
R&R Shot on Fuji Provia 100F (RDP