Tag: Pushing Film
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Photography: Let the light shine – FILM Ferrania P30 Alpha (35mm)
Let the light shine Shot on FILM Ferrania P30 Alpha at EI 320 Black and white negative film in 35mm format Push processed 3 stops and over exposed one stop
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Film stock review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)
Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love. In case you’re new to the
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Photography: Fluff monster – Bergger Pancro 400 (120)
Fluff monster Shot on Bergger Pancro 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1-stop
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Photography: Focal point – Fuji Provia 400X – RXP (120)
Focal point Shot on Fuji Provia 400X (RXP) at EI 1600 Color reversal (slide) film in 120 format shot as 6×6 Push processed two stops
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Photography: Into the breeze – ILFORD FP4 PLUS (35mm format)
Into the breeze ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development
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Photography: Break time – Ilford FP4+ (120)
Break time Ilford FP4+ shot at EI 400 Black and white negative film in 120 format shot as 6×6 1+1/3 stop push
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Photography: Slow day – Ilford Delta 100 Professional (35mm)
Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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Photography: I’m so glad you came… Fuji Pro 160 NPC (120)
I’m so glad you came… Fuji Pro 160 NPC shot at EI 160 Color negative film in 120 format shot as 6×6 2x Tele-Converter 2- stop push process
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Photography: Scarred – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Scarred Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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Photography: So long chaps! – Ilford HP5+ – 120
So long chaps! Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
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Photography: Over my shoulder – Ilford FP4+ (35mm)
Over my shoulder Shot on Ilford FP4+ at EI 6400 Black and white negative film in 35mm format Push processed 5+2/3 stops
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Photography: Step right up – Fuji Acros 100 (35mm)
Step right up Shot on Fuji Acros 100 at EI 200 Black and and white negative film in 35mm format Push processed two stops
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Push processing ILFORD HP5 PLUS from EI 800 to EI 6400
Hi! My name is Daniel and I live in Helsinki, Finland.
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Photography: Stumped – Shot on Polypan F at EI 400 (35mm format)
Stumped Shot on Polypan F at EI 400Black and white negative film in 35mm formatPush processed three stops StumpedPolypan F shot at EI 400.Black and white negative film in 35mm format.Push processed three stops.
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Photography: Cloud machine – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Cloud machine Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800 Color negative film in 35mm format
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Photography: Scattered – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Scattered Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop