Pinhole photography

BW pinhole photography with the Vermeer 6x12 and 120 format Kosmo Foto Mono 100

B&W pinhole photography with the Vermeer 6×12 and 120 format Kosmo Foto Mono 100

It was time to have some fun with Kosmo Foto Mono 100 while tour skiing in the Alps. This time around the Frauenalpe in Austria. …

Read moreB&W pinhole photography with the Vermeer 6×12 and 120 format Kosmo Foto Mono 100

No parking at any time - Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film in 120 format shot as 6x6. Cross processed. Over processed one stop.

Photography: No parking at any time – Shot on Kodak EKTACHROME 200 E200 (120 format)

No parking at any time
Shot on Kodak EKTACHROME 200 (E200) at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Over processed one stop
 

 
 

 
 

The morning after the night before - Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film in 120 format shot as 6x6. Over processed one stop.

Photography: The morning after the night before – Shot on Kodak EKTACHROME 200 – E200 (120)

The morning after the night before
Shot on Kodak EKTACHROME 200 (E200) at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Over processed one stop
 

 
 

 
 

Tulip and Bowl

EMULSIVE interview #134: I am Monika and this is why I shoot film

Finally! That’s all I’m going to say about today’s interview.

Copyright - Jon Wilkening

EMULSIVE interview #66: I am Jon Wilkening and this is why I shoot film

Grab a tall drink and make yourself comfortable. It’s time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I’ve ever been lucky enough to see – this

Ponteix Sunrise

EMULSIVE interview #65: I am Bob St. Cyr and this is why I shoot film

Today I’m sitting down with native Saskatchewanian, Bob St. Cyr.