This trip to New York City was my first time there in about 15 years. I have always admired several photographers who were known for capturing New York street photography. Some of my favorites are Joel Meyerowitz, Vivian Maier, Jill Freeman, Gordon Parks, and Saul Leiter. My work isn’t anywhere close to their incredible street […]
Tag: Nikon Nikkor 50mm f/1.8 AF-D
5 Frames… On ILFORD FP4 PLUS (35mm / EI 125 / Nikon F100 + Nikkor 50mm f/1.8 AF-D)
Mid October is really the time of year that marks the end of summer in Greece, with the first rainy days starting to appear, it was on such a rainy day I visited the new National Gallery of Greece in Athens along with friends. The building that the gallery is housed in was recently renovated, […]
Best of both: The Nikon Z6 “vs” the Nikon F6 in a portrait session
After learning last year that our office was due to close, I wanted to use my photographic skills to give something back to the people I worked with, something that might help them find their next dream job. I thought I could offer portraits that people could use on their CVs and social media. After […]
Photography: Split #07 – Shot on Kodak EKTACHROME E100 at EI 100 (35mm format)
Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 35mm formatNikon F100 and Nikkor 50mm f/1.8 AF-D Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800.
Photography: Small eats – Shot on Ultrafine eXtreme 400 at EI 400 (35mm format)
Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
5 Frames… With JCH StreetPan 400 (EI 400 / 35mm format / Nikon FM2n)
6 months without getting the film camera out was finally over – between work, study and small children, my hobbies had taken a back seat.
5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Nikon F3)
My father taught me to bulk roll film, develop and print back in the ’80s. Today I shoot mostly using digital cameras but I’ve recently acquired a Nikon F3, a Pentax Spotmatic and a Minolta Autocord 75mm f/3.5 TLR. In the spirit of “use it or lose it”, I have lost all of my old […]
5 Frames… With Kodak Tri-X 400 (EI 1600 / 35mm format / Nikon F5)
I think Kodak Tri-X 400 might be one of the most mystical film stocks ever produced. For more than 70 years of its production, it has covered almost all of the history of the 20th century folowing WW2. Its flexibility to tolerate push-processing makes it a favourite of photojournalists of the film era. One of […]
Kodak T-MAX 400: An honest film stock review
I have always been on the fence about Kodak’s T-MAX 400 film. I have been using it on and off for the last ten years now but only had really used it for specific purposes, mainly portraits due to its super sharp rendering and high resolution with very fine grain. T-MAX 400 also has beautiful contrast right off […]
5 Frames… With Kentmere 400 (EI 800 / 35mm format / Nikon F4S)
“I thought it was color!”
That was what my friend Adele texted me when she saw the scans I’d sent. I can understand her surprise.
5 Frames… With Psychedelic Blues (EI 400 / 35mm format / Nikon N80)
“Do you remember when we first met? I thought I had wandered into a dream.”
I have always loved that quote from The Lord of the Rings.
Photography: PADI certified – Shot on Oriental Seagull 100 at EI 100 (35mm format)
PADI certified
Shot on Oriental Seagull 100 at EI 100.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.
Photography: Y? – Shot on Oriental Seagull 100 at EI 100 (35mm format)
Y?
Shot on Oriental Seagull 100 at EI 100.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.
Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)
Buttcrack
Shot on Oriental Seagull 100 at EI 200.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.
Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
On edge
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)
Morning light
Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop
Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.