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Tag: Nikon Nikkor 50mm f/1.2 AI-S

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI...

'lil stunner Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops. Read the Kodak EKTACHROME E100 first impressions review - EI 100, 200, 400 and 800 tested. 'lil stunnerShot on Kodak

Film stock review: Kodak EKTACHROME E100 – shot at EI 100,...

Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 - one, two and three-stops of push processing. *1 The images below form part

Photography: In the shadows – shot on Efke KB25 at EI...

In the shadows Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2 Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions

Photography: Longan – Shot on Efke KB25 at EI 25 (35mm...

Longan Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2 Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Photography: 1000 layers – Shot on Lomography Color Negative 800 at...

1000 layers Shot on Lomography Color Negative 800 at EI 800 Color negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S 1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon

Spray – Shot on Efke KB25 at EI 25 (35mm format)

Spray Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3   Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak

Photography: Journey’s end – Shot on Efke KB25 at EI 25...

Journey's end Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2   Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial agitation

Photography: Old timer – Shot on Efke KB25 at EI 25...

Old timer Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S   Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial

Photography: Confusion – Shot on Efke KB25 at EI 25 at...

Confusion Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3   Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop   Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5

Photography: Street art – Shot on Fuji Superia 400 Premium at...

Street art Shot on Fuji Superia 400 Premium at EI 400 Color negative film in 35mm format      

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops    

Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI...

Picnic time Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.      

Photography: To the bitter end – Shot on Fuji Velvia 100...

To the bitter end Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.        

Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at...

Single minded Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.        

Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI...

Scrambler Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.        

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