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Home » Nikon Nikkor 50mm f/1.2 AI-S

Tag: Nikon Nikkor 50mm f/1.2 AI-S

Pretty boy - Shot on Fuji NEOPAN 100 ACROS II at EI 400 (35mm Format)
Posted in35mm format

Photography: Pretty boy – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)

by EMAugust 24, 2021September 14, 2021

Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Nikon Nikkor 50mm f/1.2 AI-S Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse

Travelling with film: my Sri Lankan travelogue
Posted inTravelogue

Travelling with film: My Sri Lankan travelogue

by John WhitmoreSeptember 3, 2019July 31, 2021

I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

by EMNovember 9, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

by EMNovember 8, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

by EMNovember 7, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

by EMNovember 6, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

'lil stunner - Shot on Kodak EKTACHROME E100 at EI 400. Color reversal (slide) film in 35mm format. Push processed two stops.
Posted in35mm format, Darkroom printing, Photography

Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format

by EMNovember 2, 2018July 31, 2021

‘lil stunner

Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops.

Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested.

‘lil stunnerShot on Kodak

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions
Posted inFeatured, Film stock reviews, Kodak Film Stock Reviews, Reviews

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

by EMOctober 31, 2018July 31, 2021

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

In the shadows - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.
Posted in35mm format, Photography

Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)

by EMOctober 5, 2018July 31, 2021

In the shadows

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions

Longan - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.
Posted in35mm format, Photography

Photography: Longan – Shot on Efke KB25 at EI 25 (35mm format)

by EMOctober 1, 2018July 31, 2021

Longan

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

1000 layers - Shot on Lomography Color Negative 800 at EI 800. Color negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2 AI-S.
Posted in35mm format

Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)

by EMSeptember 21, 2018July 31, 2021

1000 layers

Shot on Lomography Color Negative 800 at EI 800
Color negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon

Splash - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format

Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)

by EMSeptember 19, 2018July 31, 2021

Spray
Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Journey's end - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)

by EMSeptember 14, 2018July 31, 2021

Journey’s end

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial agitation

Old timer - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)

by EMSeptember 12, 2018July 31, 2021

Old timer

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak, 30 seconds initial

Confusion - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)

by EMSeptember 10, 2018July 31, 2021

Confusion

Shot on Efke KB25 at EI 25
Black and white negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3

 

Development notes
FF No.1 Monobath: 21°C/70°F, 06:00 (N)
1 minute presoak

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.
Posted in35mm format, Photography

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

by EMAugust 29, 2018July 31, 2021

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

Street art - Shot on Fuji Superia 400 Premium at EI 400. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: Street art – Shot on Fuji Superia 400 Premium at EI 400 (35mm format)

by EMAugust 24, 2018July 31, 2021

Street art

Shot on Fuji Superia 400 Premium at EI 400
Color negative film in 35mm format

 

 

 

Second choice - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.
Posted in35mm format, Photography

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)

by EMAugust 9, 2018July 31, 2021

Second choice

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops

 

 

Picnic time - Shot on Fuji Velvia 100 (RVP100) at EI 100. Color reversal (slide) film in 35mm format.
Posted inArticles

Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)

by EMAugust 8, 2018July 31, 2021

Picnic time

Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format

Read the Fuji Velvia 100 (RVP100) review here.

 

 

 

To the bitter end - Shot on Fuji Velvia 100 (RVP100) at EI 100. Color reversal (slide) film in 35mm format.
Posted in35mm format, Photography

Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)

by EMAugust 7, 2018July 31, 2021

To the bitter end

Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format

Read the Fuji Velvia 100 (RVP100) review here.

 

 

 

 

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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