Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops
What makes a good picture?
…aka Fuji Instax Mini Monochrome Photo Contest addendum
Soon after we launched the Instax Mini Monochrome competition, a potential entrant reminded us that we had not disclosed the judging criteria.
Photography: Reflection – Fuji 64D 8552 (35mm)
2016-09-19 – Reflection
Fuji 64D 8552shot at EI 64
Color negative motion picture film in 35mm format
Photography: Spring, love, life – Kodak EKTACHROME 100D – 5285 (35mm)
2016-09-02 – Spring, love, life
Kodak EKTACHROME 100D (5285) shot at EI 100
Color reversal (slide) motion picture film in 35mm format
Photography: Estrella – Shot on Fuji Reala 500D 8692 at EI 500 (35mm format)
Estrella
Shot on Fuji Reala 500D 8692 at EI 500
Color negative motion picture film in 35mm format
Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops
Photography: Red or Dead – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Red or Dead
Kodak Vision3 250D 5207 shot at EI 25
Color motion picture film in 35mm format
Shot as redscale
Developing motion picture film in your own darkroom by Mr. D Cow Esquire
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
Photography: Emerald skyscape – Shot on Kodak EKTACHROME 100D Color Reversal Film 5285 at EI 100 (35mm format)
Emerald skyscape
Shot on Kodak EKTACHROME 100D Color Reversal Film 5285 at EI 100
Color reversal (slide) motion picture film in 35mm format
Cross processed
Photography: Behind door #3 – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)
Behind door #3
Kodak 250D (5207) shot at EI 250
Color motion picture film in 65mm format
Hand cut and rolled as 120 format
Photography: Taco Tuesday – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Taco tuesday
Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Photography: Skeletal – Shot on Fuji 400T 8683 at EI 400 (35mm)
Skeletal
Shot on Fuji 400T (8683) at EI 400
Color tungsten-balanced motion picture film in 35mm format
Photography: Joist – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Joist
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Photography: Luck in red and gold – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Luck in red and gold
Kodak 250D (5207 65mm) shot at EI 250
Color motion picture film in 65mm format shot as 6×4.5
65mm film hand cut and bulk-loaded as 120
Photography: Flagged – Fuji 250D 8563 (35mm)
Flagged
Fuji 250D (8563) shot at EI 250
Color motion picture film in 35mm format
Photography: ….and stretch – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
…and stretch
Kodak 250D (5207) shot at EI 250
Color motion picture film in 35mm format
Photography: Curly – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Curly
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Photography: Umbrella – Shot on Kodak 500T 5219 at EI 500 (35mm)
Umbrella
Shot at Kodak 500T (5219) at EI 500
Color motion picture film in 35mm format
