Tag: Motion Picture Film
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Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 2+2/3 stops
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What makes a good picture?
…aka Fuji Instax Mini Monochrome Photo Contest addendum Soon after we launched the Instax Mini Monochrome competition, a potential entrant reminded us that we had not disclosed the judging criteria.
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Photography: Reflection – Fuji 64D 8552 (35mm)
2016-09-19 – Reflection Fuji 64D 8552shot at EI 64 Color negative motion picture film in 35mm format
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Photography: Estrella – Shot on Fuji Reala 500D 8692 at EI 500 (35mm format)
Estrella Shot on Fuji Reala 500D 8692 at EI 500 Color negative motion picture film in 35mm format
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Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should’ve posted to Instagram Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
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Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format
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Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops
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Photography: Red or Dead – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Red or Dead Kodak Vision3 250D 5207 shot at EI 25 Color motion picture film in 35mm format Shot as redscale
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Developing motion picture film in your own darkroom
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
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Photography: Behind door #3 – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)
Behind door #3 Kodak 250D (5207) shot at EI 250 Color motion picture film in 65mm format Hand cut and rolled as 120 format
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Photography: Taco Tuesday – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Taco tuesday Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format
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Photography: Skeletal – Shot on Fuji 400T 8683 at EI 400 (35mm)
Skeletal Shot on Fuji 400T (8683) at EI 400 Color tungsten-balanced motion picture film in 35mm format
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Photography: Joist – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Joist Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Luck in red and gold – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Luck in red and gold Kodak 250D (5207 65mm) shot at EI 250 Color motion picture film in 65mm format shot as 6×4.5 65mm film hand cut and bulk-loaded as 120
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Photography: Flagged – Fuji 250D 8563 (35mm)
Flagged Fuji 250D (8563) shot at EI 250 Color motion picture film in 35mm format
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Photography: ….and stretch – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
…and stretch Kodak 250D (5207) shot at EI 250 Color motion picture film in 35mm format
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Photography: Curly – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Curly Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Umbrella – Shot on Kodak 500T 5219 at EI 500 (35mm)
Umbrella Shot at Kodak 500T (5219) at EI 500 Color motion picture film in 35mm format