Motion Picture Film


Ready for Instagram - Eastman Double-X 5222 shot at EI 400. Black and white motion picture film in 35mm format.

Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
 

 
 

 

Kodak 250D (5207) - EC2N homebrew developer - Ankle Slapper Tides

Developing motion picture film in your own darkroom by Mr. D Cow Esquire

Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film

Emerald skyscape - Kodak EKTACHROME 100D (5285). ISO100, cross processed.

Photography: Emerald skyscape – Shot on Kodak EKTACHROME 100D Color Reversal Film 5285 at EI 100 (35mm format)

Emerald skyscape

Shot on Kodak EKTACHROME 100D Color Reversal Film 5285 at EI 100
Color reversal (slide) motion picture film in 35mm format
Cross processed

 

 

 

Luck in red and gold - Kodak 250D (5207 65mm)

Photography: Luck in red and gold – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Luck in red and gold
Kodak 250D (5207 65mm) shot at EI 250
Color motion picture film in 65mm format shot as 6×4.5
65mm film hand cut and bulk-loaded as 120
 

 

 

Curly - Kodak 250D (5207) shot at ISO250

Photography: Curly – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Curly
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film