Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
Tag: Motion Picture Film
Posted inDarkroom
Cinematic storytelling part 2: motion picture film, print film and chemistry
In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.
Posted inDarkroom
Cinematic storytelling part 1: an overview of motion picture film and still photography
This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.
Through this article and the
Posted in35mm format, Darkroom printing, Photography
Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Muckcatcher
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions
Posted in35mm format, Photography
Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Under cover
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1
Posted in35mm format, Photography
Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Keep your head down
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial
Posted in35mm format, Photography
Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Area secured
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops
Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #156: I am Matt Stoffel and this is why I shoot film
Ladies and gentlemen, welcome! I’ve been waiting for today’s interviewee for a while (mostly my fault). Now he’s here, I’m going to zip it and hand over to him.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #154: I am Raymond van Mil and this is why I shoot film
To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.
Posted inFILM Ferrania Film Stock Reviews
Film stock review: FERRANIA P30® ALPHA Part 1 – 35mm EI 80 (bracketed +/- 1 stop + filter tests) – Rodinal semi-stand
UPDATE: Scott Micciche has published part one of his extensive FERRANIA P30 tests. A best practices guide showing results from six developers in eight development schemes.
This article forms part one of a multi-part review series.
Posted in35mm format, Photography
Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Wall Lords
Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format
Posted in35mm format, Photography
Photography: …and it was all yellow – Fuji ETERNA 400 8583 – (35mm)
…and it was all yellow
Shot on Fuji ETERNA 400 (8583) at EI 400
Color negative motion picture film in 35mm format
Posted in35mm format, Photography
Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Posted inMedium format, Photography
Photography: Browsing – Shot on CineStill 800T at EI 800 (120 format)
Browsing
Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: I choose you – CineStill 800T (120)
I choose you
Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: Sex shop – CineStill 800T (120)
Sex shop
Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: Close attention – Shot on CineStill 800T at EI 800 (120 format)
Close attention
Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6
Posted in35mm format, Photography
Photography: Built to last – Fuji 500T 8573 (35mm)
Built to last
Fuji 500T 8573 shot at EI 500
Color motion picture film in 35mm format
Posted in35mm format, Photography
Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Twin Peaks
Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter
Read the Kodak VISION3 250D review
Bulk load your own 120 film
 
Posted in35mm format, Photography
Photography: Tread – Fuji Reala 500D 8592 (35mm)
Tread
Fuji Reala 500D (8592) shot at EI 100
Color motion picture film in 35mm format
