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Home » Motion Picture Film

Tag: Motion Picture Film

Cover - Cinematic storytelling part 3 - developing motion picture film v2
Posted inDarkroom

Cinematic storytelling part 3: developing motion picture film

Avatar - Jeremy Saltryby Jeremy SaltryFebruary 7, 2019January 27, 2023

Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.

Cover - Cinematic storytelling part 2 - motion picture film, print film and chemistry v3
Posted inDarkroom

Cinematic storytelling part 2: motion picture film, print film and chemistry

Avatar - Jeremy Saltryby Jeremy SaltryJanuary 29, 2019January 27, 2023

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.

Posted inDarkroom

Cinematic storytelling part 1: an overview of motion picture film and still photography

Avatar - Jeremy Saltryby Jeremy SaltryJanuary 22, 2019January 27, 2023

This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.

Through this article and the

Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops
Posted in35mm format, Darkroom printing, Photography

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMNovember 5, 2018July 31, 2021

Muckcatcher

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 29, 2018July 31, 2021

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 26, 2018July 31, 2021

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 22, 2018July 31, 2021

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Starliner on KODAK EKTACHROME 100VS
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #156: I am Matt Stoffel and this is why I shoot film

Avatar - EMby EMOctober 4, 2017October 16, 2020

Ladies and gentlemen, welcome! I’ve been waiting for today’s interviewee for a while (mostly my fault). Now he’s here, I’m going to zip it and hand over to him.

Self - Instax Wide AF500, taken by Lotte Dale.
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #154: I am Raymond van Mil and this is why I shoot film

Avatar - EMby EMSeptember 20, 2017October 16, 2020

To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.

Cover - Ferrania P30 review pt1
Posted inFILM Ferrania Film Stock Reviews

Film stock review: FERRANIA P30® ALPHA Part 1 – 35mm EI 80 (bracketed +/- 1 stop + filter tests) – Rodinal semi-stand

Avatar - EMby EMSeptember 4, 2017January 18, 2020

UPDATE: Scott Micciche has published part one of his extensive FERRANIA P30 tests. A best practices guide showing results from six developers in eight development schemes.

This article forms part one of a multi-part review series.

Wall Lords - Shot on Kodak VISION3 250D (5207) at EI 250. Color negative motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMJuly 6, 2017October 16, 2020

Wall Lords

Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format

 

 

 

 

 

...and it was all yellow - Shot on Fuji ETERNA 400 (8583) at EI 400. Color negative motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: …and it was all yellow – Fuji ETERNA 400 8583 – (35mm)

Avatar - EMby EMJuly 3, 2017October 16, 2020

…and it was all yellow
Shot on Fuji ETERNA 400 (8583) at EI 400
Color negative motion picture film in 35mm format

 

 

 

 

 

 

Stark - Shot on Eastman Double-X 5222 at EI 400. Black and white motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

Avatar - EMby EMMay 30, 2017October 16, 2020

Stark

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format

 

 

 

 

 

Browsing - Shot on CineStill 800T at EI 800. Color negative motion picture film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Browsing – Shot on CineStill 800T at EI 800 (120 format)

Avatar - EMby EMApril 21, 2017October 16, 2020

Browsing

Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6

 

 

 

I choose you - Shot on CineStill 800T at EI 800. Color negative motion picture film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: I choose you – CineStill 800T (120)

Avatar - EMby EMApril 20, 2017October 16, 2020

I choose you
Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6

 

 

 

Sex shop - Shot on CineStill 800T at EI 800. Color negative motion picture film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Sex shop – CineStill 800T (120)

Avatar - EMby EMApril 19, 2017October 16, 2020

Sex shop
Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6

 

 

 

Close attention - Shot on CineStill 800T at EI 800. Color negative motion picture film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Close attention – Shot on CineStill 800T at EI 800 (120 format)

Avatar - EMby EMApril 18, 2017October 16, 2020

Close attention

Shot on CineStill 800T at EI 800
Color negative motion picture film in 120 format shot as 6×6

 

 

 

Built to last - Fuji 500T 8573 shot at EI 500. Color motion picture film in 35mm format.Built to last - Fuji 500T 8573 shot at EI 500. Color motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Built to last – Fuji 500T 8573 (35mm)

Avatar - EMby EMMarch 22, 2017October 16, 2020

Built to last
Fuji 500T 8573 shot at EI 500
Color motion picture film in 35mm format

 

 

 

Twin Peaks - Kodak 250D (VISION3 5207) shot at EI 250. Color motion picture film in 35mm format. Hasselblad Distagon C 50/4 with adapter.
Posted in35mm format, Photography

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMNovember 18, 2016October 16, 2020

Twin Peaks

Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter

 

 

Read the Kodak VISION3 250D review
Bulk load your own 120 film

&nbsp

Tread - Fuji Reala 500D (8592) shot at EI 100. Color motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Tread – Fuji Reala 500D 8592 (35mm)

Avatar - EMby EMNovember 17, 2016October 16, 2020

Tread
Fuji Reala 500D (8592) shot at EI 100
Color motion picture film in 35mm format

 

 

 

 

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