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Cinematic storytelling part 3: developing motion picture film

Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.

Cinematic storytelling part 2: motion picture film, print film and chemistry

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.

Cinematic storytelling part 1: an overview of motion picture film and...

This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself. Through this article and the

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm...

Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1 inversions

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600...

Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600...

Area secured Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Magazine review: Kodachrome Magazine Issue 1

Kodachrome, subtitled "Art.Film.Analog.Culture", is an 84 page magazine created by Kodak focussing on (largely) analogue creativity. Opening with an article titled "Seeking Slow", the new quarterly magazine, Kodachrome, sets the tone of Issue One.

EMULSIVE interview #156: I am Matt Stoffel and this is why...

Ladies and gentlemen, welcome! I've been waiting for today's interviewee for a while (mostly my fault). Now he's here, I'm going to zip it and hand over to him.

EMULSIVE interview #154: I am Raymond van Mil and this is...

To my eye, there's something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.

Film stock review: FERRANIA P30® ALPHA Part 1 – 35mm EI...

UPDATE: Scott Micciche has published part one of his extensive FERRANIA P30 tests. A best practices guide showing results from six developers in eight development schemes. This article forms part one of a multi-part review series.

Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at...

Wall Lords Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm format          

Photography: …and it was all yellow – Fuji ETERNA 400 8583...

...and it was all yellow Shot on Fuji ETERNA 400 (8583) at EI 400 Color negative motion picture film in 35mm format            

Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400...

Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format          

Photography: Browsing – Shot on CineStill 800T at EI 800 (120...

Browsing Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6x6      

Photography: I choose you – CineStill 800T (120)

I choose you Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6x6      

Photography: Sex shop – CineStill 800T (120)

Sex shop Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6x6      

Photography: Close attention – Shot on CineStill 800T at EI 800...

Close attention Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6x6      

Photography: Built to last – Fuji 500T 8573 (35mm)

Built to last Fuji 500T 8573 shot at EI 500 Color motion picture film in 35mm format      

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at...

Twin Peaks Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format Hasselblad Distagon C 50/4 with adapter     Read the Kodak VISION3 250D review Bulk load your own 120 film