Leica M6 TTL 0.85
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the...
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
London
Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format
LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
Photography: It’s all theatre – Shot on Kodak Portra 160 at EI 160 (35mm format)
It's all theatre
Shot on Kodak Portra 160 at EI 160
Colour negative film in 35mm format
Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110
Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive
UPDATE 01 2017-04-27: Added production specifications
Standing on the shoulders of Hamish Gill's early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I'm here to offer my thoughts on one of the very first copies
Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That's my ride
Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format
Photography: Latch key kid – Shot on Agfa Scala 200X at EI 200 (35mm format)
Latch key kid
Shot on Agfa Scala 200X at EI 200
Black and white reversal (slide) film in 35mm format
Reversal processed
Photography: Bird bar – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Bird bar
Shot on Silberra ULTIMA 200 at EI 200
Black and white negative film in 35mm format
Photography: The Buddha of Immeasurable Life and Light – Shot on Agfa Scala 200X at EI 200 (35mm format)
The Buddha of Immeasurable Life and Light
Shot on Agfa Scala 200X at EI 200
Black and white reversal (slide) film in 35mm format
Reversal processed
Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)
At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography's Color Negative 800 in a side-by-side review.
In her infinite wisdom
