Leica M6 TTL 0.85

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110 (B

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110 (B

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)   Development notes Kodak HC-110 (B

Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive

UPDATE 01 2017-04-27: Added production specifications Standing on the shoulders of Hamish Gill's early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I'm here to offer my thoughts on one of the very first copies

Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)

At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography's Color Negative 800 in a side-by-side review. In her infinite wisdom