Shot on ILFORD SFX 200 at EI 200Black and white negative film in 35mm formatLeica M6 TTL 0.85 + Canon Serenar 50mm f/1.5 Development notesKodak HC-110: 1+31(B), 20°C/68°F, 09:00 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse. Triple threat – Shot on ILFORD SFX 200 at EI 200Black and white negative film in 35mm format.Leica […]
Tag: Leica M6 TTL 0.85
Posted in35mm format
Photography: Above as below – Shot on Kodak Portra 160 at EI 160 (35mm Format)
Shot on Kodak Portra 160 at EI 160Color negative film in 35mm formatLeica M6 TTL 0.85 + 7artisans 35mm f/2
Posted in35mm format
Photography: One “Art” please… – Shot on Lomography Color Negative 400 at EI 400 (35mm format)
Shot on Lomography Color Negative 400 at EI 400Color negative film in 35mm format Leica M6 TTL 0.85 and Voigtlander Color Skopar 21mm f/4
Posted inBest Of
EMULSIVE’S most popular articles of 2020
And here it is, the final listicle of 2020. The most popular articles of the year as decided by you for the year we all want to forget. I don’t really have anything more to add other than to wish you all well as you see in the new year and to thank you for […]
Posted inBest Of
EMULSIVE’S most popular film camera reviews of 2020
Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to everyone who submitted their own reviews, and helped my with my own efforts this year cataloguing a series of exhaustive Leica M Camera guides! I’d love to hear from you […]
Posted inLeica film camera reviews
An in-depth guide to: The Leica M6 TTL
Made for only four years between 1998 and 2002, the Leica M6 TTL was the successor the 1984-98 Leica M6 and brought with it a couple of new party tricks: an ergonomically designed shutter speed dial and TTL flash metering. That huge shutter dial might not seem like a big deal today, in fact, you […]
Posted inLeica film camera reviews
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at the wrong time. When the mist cleared a second or two after I hit the tarmac, I found myself with my right arm aloft, still holding a new to me […]
Posted inOpinion
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]
Posted in35mm format
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
London
Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format
LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
Posted in35mm format, Photography
Photography: It’s all theatre – Shot on Kodak Portra 160 at EI 160 (35mm format)
It’s all theatre
Shot on Kodak Portra 160 at EI 160
Colour negative film in 35mm format
Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
Posted in35mm format, Darkroom printing, Photography
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Posted in35mm format, Darkroom printing, Photography
Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Posted in35mm format, Photography
Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Posted in35mm format
Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110
Posted in35mm format, Photography
Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Posted in35mm format, Photography
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted in35mm format, Photography
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted in35mm format
Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Posted in35mm format, Photography
Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Posted in35mm format, Photography
Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
