Leica M6 TTL 0.85


Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at …

Read moreLearning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Framed

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

Up and to the right - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

The moon and the mountains - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

The moon and the mountains

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

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Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110

No smoking - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format. Over processed one stop.

Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)

No smoking

Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

From below - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)

From below

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

Dripping red - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)

Dripping red

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Twins

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Condensed

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Royalty

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive

UPDATE 01 2017-04-27: Added production specifications

Standing on the shoulders of Hamish Gill’s early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I’m here to offer my thoughts on one of the very first copies

EMULSIVE 52 Rolls - Week 08 - Kodak Tri-X 400 (35mm) - EI1600

Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)

That’s my ride

Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format

 

 

 

 

 

Latch key kid - Shot on Agfa Scala 200X at EI 200. Black and white reversal (slide) film in 35mm format. Reversal processed.

Photography: Latch key kid – Shot on Agfa Scala 200X at EI 200 (35mm format)

Latch key kid

Shot on Agfa Scala 200X at EI 200
Black and white reversal (slide) film in 35mm format
Reversal processed

 

 

 

 

 

The Buddha of Immeasurable Life and Light - Shot on Agfa Scala 200X at EI 200. Black and white reversal (slide) film in 35mm format. Reversal processed.

Photography: The Buddha of Immeasurable Life and Light – Shot on Agfa Scala 200X at EI 200 (35mm format)

The Buddha of Immeasurable Life and Light

Shot on Agfa Scala 200X at EI 200
Black and white reversal (slide) film in 35mm format
Reversal processed

 

 

 

 

 

Cover - Blind film review: Fuji Natura 1600, Kodak Portra 800 and Lomography Color Negative 800 (35mm)

Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)

At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography’s Color Negative 800 in a side-by-side review.

In her infinite wisdom